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FESTIVALS & EVENTS
COMPLETE16THECOMPLETE16MMFILMANDPROCESSINGPACKAGE
ujifilm Motion Picture UK is Fpleased to announce the launch
of Complete16 in conjunction with London based Rushes specialist Laboratory, ilab.
Complete16 is a new 16mm film and processing package designed to offer the quality, flexibility and logistical benefits of film origination at a preferential price which is
supported by a ‘one-stop-shop’ user friendly ethos.
The exclusive Complete16 deal from Fujifilm and ilab includes: 16mm Fujifilm Motion Picture Film Stock, 16mm Negative Developing, Ultra-Sonic Clean, Prep for TK, Best Light Spirit Transfer to any SD format, plus DVD viewing copies with Sync Sound and ALE File, all for
just £125.00+VAT per 400ft roll or £50+VAT per 100ft roll.
The offer is open to a wide range of productions including Features, TV Dramas, Shorts, Promos, Artists and Students.
For more information, visit www.complete16.com or
contact Fujifilm Motion Picture on 020 3040 0400.
OPENINGDECEMBER THEDESCENTPART2
he look on The Descent was all Tabout complete darkness,”
explains DP Sam McCurdy. “We lit what the girls saw only by what they took with them –
torches, helmet headlights, matches and flares.
“For the sequel, we went more technical because of the equipment the rescue team uses – hi-tech variations on torches, thermal imaging gear and so on. We boosted that kit with hidden battery packs so the actors could physically
light themselves.
“The journey starts with everyone having illumination devices. By the end, we’re left with one dimming torch and natural water reflections. My challenge was to ensure the audience enjoys the cave spectacle while keeping it dark enough so things can leap out of the shadows.
“The Crawlers were shot with different shutter angles so they move more rapidly, and look more vicious and scary. We used a lot more wirework for the Crawlers,
Simon Bowles designed some amazing ledges and crags they could leap off.”
The Descent: Part 2, opening in the UK on December 4, was originated on 35mm Fujicolor ETERNA 500T 8573 and ETERNA 250T 8553
Photos: scenes from The Descent 2 including DP Sam McCurdy, Executive Producer Neil Marshall and Director Jon Harris on set
38 • EXPOSURE • THE MAGAZINE • FUJIFILM MOTION PICTURE