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               by the Great One (*Taiyi).  In both texts,  the deities of the viscera perform
               administrative functions within the body, establishing a link with the views
               of the medical texts referred to above.
                 In  other instances, the viscera are the seats of impersonal forces.  Accord-
               ing to the Heshang gong commentary and to medical texts, the *hun "soul"
               (representing the Yang components of the human being),  the *po  "soul"
               (representing the Yin components), the essence (*jing), the spirit (*shen), and
               the Intention (*yi) respectively reside in the liver, lungs,  kidneys, heart, and
               spleen. Elsewhere, hun and po are represented in a divinized form; in this case,
               the hun deities are said to number three and the po seven (see fig. 42).  They
               are often mentioned with the "three corpses" and "nine worms" (*sanshi and
               jiuchong), malevolent spirits who report the faults and sins of the individual in
               which they dwell to the Director of Destinies (*Siming). Accumulating merit
               through good actions, abstaining from cereals (*bigu), and performing rites
               on the *gengshen day (the fifty-seventh of the sexagesimal cycle) were among
               the methods used to neutralize them.
               The body as  mountain and landscape. The *Wushang biyao  (Supreme Secret
               Principles, 4I.3b; Lagerwey 1981b, 136) associates the Authentic Talismans of
               the Five Emperors (wudi zhenJU 3i * ~ r-f) with the five  planets in heaven,
               the five  sacred mountains on earth, and the five viscera in the human body.
               The body itself is  often represented as  a mountain (Despeux 1990, 194- 98;
               Lagerwey 1991,127- 42). Liang Kai ?ifH~ (thirteenth century) painted a famous
               scroll that depicts an immortal- possibly meant to be Laozi himself- as  a
               mountain, using the technique normally applied for painting landscapes (fig.
               n ).  Images of the body as  a mountain are also found in Taoist texts (for an
               example, see fig. 13). They illustrate loci in the body that are important for the
               practices of Nourishing Life (*yangsheng) and inner alchemy (*neidan). Some
               of these sites are represented as palaces that function as headquarters for the
               administration of the inner body: here too the metaphor of the government
               of the country as the government of the body is apparent. In turn, the visual
               depictions of the body as  a mountain are related to the best-known Taoist
               image of the inner body, the Neijing tu (Chart of the Inner Warp; see *Neijing
               tu and Xiuzhen tu, and figs. 60  and 61), which maps the body as  a landscape
               whose features  (e.g., the watercourse, the mill, the furnace) have symbolic
               meanings in neidan. (For another example, see fig.  19.)
               The body in inner alchemy. The neidan view of the body is complex, and remark-
               able differences occur among various subtraditions and authors. In general, the
               main components of the inner elixir (essence, pneuma, and spirit, or *jing, qi,
               and shen), as well as the tripod and the furnace (*dinglu), are said to be found
               within the human being.  Beyond this basic premise, neidan shares some of
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