Page 225 - The Encyclopedia of Taoism v1_A-L
P. 225

OVERVIEW                          185

             of a treatise on landscape painting filled with Taoist inspiration, and a millen-
             nium later, Huang Gongwang Jt1,; m (1269-1354) and Fang Congyi l:HfH~
             (13or?-1391), both Taoist priests and landscape painters.

                                                                  Caroline GYSS
             m Delahaye 1981; Jin Weinuo 1997;  Kamitsuka Yoshiko 1993;  Katz P.  R.
             1993; Legeza 1975;  Little 2000a; Little 2000b; Liu Yang 20ora; Liu Yang 20orb;
             Pontynen 1980; Reiter 1988b; Sakade Yoshinobu 1994C; Schipper forthcoming;
             Seidel 1989-90, 269-73 and 280-82; Thompson 1987C; Yamada Toshiaki 1995a



                                Taoism and the military arts


             From the very beginning of the written tradition of Taoism, there existed a
             close relation between it and Chinese military theory and practice. The Daode
             jing contains passages that propounded ideas about the nature of warfare (that
             weapons are inauspicious implements; desolation follows an army) and the
             proper way for the ruler to engage in combat (conquer strength by manifest-
             ing weakness; do not value victory;  do not attempt to dominate the world
             by force  of arms) that were immensely influential in later times.  Over the
             centuries some scholars even interpreted the text as being in essence a military
             manual. While it is not possible at present to determine whether that text or
             the canonical Sunzi bingfa ~ T~~ (Master Sun's Art of War) is  earlier in
             date, clear parallels exist between their respective philosophical approaches
             (Arnes 1993;  Lau and Arnes 1996). Generals were encouraged not to act out
             of anger; to practice self-cultivation to strengthen their *qi and harmonize it
             with the cosmos; to unifY the army with their own person; to make minute
             preparations and assessments of their own and the enemy's strengths and
             weaknesses before embarking on a campaign; to attack only when victory
             was certain, for the highest type of victory was to win without ever having
             to actually engage in combat; to be formless (wuxing ~%) while forcing the
             enemy to show his form (youxing :ff%); to manipulate emptiness (xu J1ii.)
             and fullness (shi  ~),  the regular (zheng lE) and the irregular (qi  iD-)  forces;
             and to adapt to the ever-changing conditions on the battlefield by seizing the
             positional advantage (shi ~). Many later Taoist philosophical treatises, such
             as  the Heguan zi 1t~Ja;T (Book of Master Heguan),  the *Huang-Lao texts
             from *Mawangdui, the *Wenzi, the *Huainan zi,  and the *Guigu zi,  contain
             observations on the conduct of warfare, elaborating in different ways on the
             ideas of the Daode jing, and insisting on the importance of harmonizing one's
             conduct with the Dao to ensure victory
   220   221   222   223   224   225   226   227   228   229   230