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L1NGSHU  ZIWEN                      681

                   The first text (CT 639; trans. Bokenkamp 1997,307-31) opens with the story
                of the composition of the Lingshu ziwen by the Azure Lad (*Qingtong), who
                in Shangqing scriptures plays the role of mediator between divine and human
                beings. It continues with three methods dealing with subtle physiology and
                involving visualizations, incantations, and the absorption of talismans (*FU).
                The first method teaches how to ingest the pneumas (*qi) of the sun and the
                moon; the adept invokes the secret names of the Emperors of the Sun and
                the Moon, envisioning their pneumas and absorbing them with a talisman.
                The second method aims at "securing the three hun" (ju sanhun 1fT]  -A.tlJ and
                "controlling the seven po" (zhi qipo mU -t nW,;  see *hun and po). Since the hun are
                fond of freely flying away, the adept should control them by encircling his body
                with a red pneuma summoned from his heart. The po, however, are malevolent;
                one should avert their threats by imprisoning them through the visualization
                of the Jade Women (*yunii) and the four directional animals (*siling),  which
                in Shangqing texts often form a sacred guard around the practitioner. These
                techniques are complemented by a third practice, consisting of invocations to
                the Three Primes (*sanyuan) or Three Ones (*sanyi)  who reside in the three
                Cinnabar Fields (*dantian),  and in animating the god of the Mysterious Pass
                (*xuanguan).  This method is  designed to replace the sexual practices of the
                Celestial Masters (*Tianshi dao) and is related to embryonic breathing (*taixi),
                as  the Mysterious Pass is  "the passageway that joined the placenta to your
                viscera when you were first born" (trans. Bokenkamp 1997,327).
                   The second text (CT 255;  trans. Bokenkamp 1997, 331-39) gives the recipe
                for the Elixir of Langgan, named after a mythical tree that grows on Mount
                *Kunlun. This method, lying between operative alchemy and "astro-alchemy,"
                joins the compounding of an elixir with the absorption of astral efflorescences;
                 the product likely was not meant for actual ingestion. (For more details on
                 this method see under *langgan.)
                   The third text (CT 442; trans. Bokenkamp 1997, 339-62; part. trans. Strick-
                 manu 1981, 209-24) is devoted to a description of the apocalypse. It deals with
                *Li Hong, the Sage Lord of the Latter Age (the present cosmos), who comes
                 at the end of the world to save the "seed-people" (*zhongmin), i.e., the adepts
                who have gained access to the Lingshu ziwen, respect moral rules, and bear the
                 physical marks of transcendence enumerated in the text. (For more details on
                 this text, see under *Housheng daojun lieji.)
                   The fourth and last text (CT 179; trans. Bokenkamp 1997, 362-66) is one of
                 the few Shangqing sources that list ethical and ritual prohibitions.
                                                                   Isabelle ROBINET

                 III  Bokenkamp 1997, 275-372; Kamitsuka Yoshiko 1999,171-210; Robinet 1984,
                 2:  101-10

                 * Shangqing
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