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OVERVIEW                          35


               with Dongzhen replacing Dadong as  the heading for the Shangqing corpus
               centering on the *Dadong zhenjing. Here the heritage of the Three Caverns is
               presented as a unified, single Great Vehicle (tongyi dasheng iPJ-::kJli2).
                 An alternative, hierarchical, perception of the Three Caverns is conveyed
               in a presumably earlier text, noted for its transcript of an exchange between
               Tang Tianhuang m 7( £  (i.e., Gaozong, r. 649-83) and *Pan Shizheng (585-682)
               at Zhongyue r:p m, i.e., Mount Song (*Songshan, Henan). In this anonymous
               compilation, the Daomen jingfaxiangcheng cixu m r, ~~ lt f117~ IX ff (The
               Scriptures and Methods of Taoism in Orderly Sequence; CT II28,  I.Ib-2a),
               Dongzhen, Dongxuan, and Dongshen are designated dasheng ** (Great
               Vehicle), zhongsheng r:p * (Middle Vehicle), and xiasheng T * (Lower Vehicle),
               respectively. Competition from Buddhist schools of teachings could very well
               have led to abandonment of this stratification of scriptural categories in favor
               of a unified presentation of disparate teachings. Both views are represented
               with no apparent conflict in lengthy accounts on the history of sandong in the
               Yunji qiqian (3.4a-7b; 6.Ia-I2a).

                                                                  Judith M.  BOLTZ
               m Bokenkamp 1997, 190-94; Bokenkamp 2001; Chen Guofu 1963, 1-4, 106-7;
               Fukui Kojun 1958, 138-70; Kohn 1993b, 65-71;  Lagerwey 198Ib, 24-26, 82; van
               der Loon 1984, 171; 6fuchi Ninji 1979; 6fuchi Ninji 1997, 12-72 (= 1964, 2I7-76);
               Ozaki Masaharu 1983b, 75-88; Pregadio 2006b, 43-47, I52-55; Qing Xitai 1988---95,
               I:  536-52;  Robinet I984,  I: 75-85 and I95-97; Zhu Yueli 1992, 173-80

               * Sanqing;  Sandongjingshu mulu;  COSMOGONY;  DAOZANG  AND  SUBSIDIARY
               COMPILATIONS



                                              fu

                                              tf

                                      talisman, tally, charm


               Taoist talismans are diagrams, conceived as  a form of celestial writing, that
               derive their power from the matching celestial counterpart kept by the deities
               who bestowed them. Known also as qi .~ (or ~) or quan 3f, tallies were used
               in pre-Han China to verify written orders of the king and as  contracts and
               signs of authority held by the king's vassals. Authentication was achieved by
               joining the two split halves of the tally.  From this mundane use, the term fit
               came to be applied to omens of divine approbation authenticating a ruler's
               receipt of the mandate to rule, known as fitming ;f'B= $- . Taoist talismans derive
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