Page 87 - The Encyclopedia of Taoism v1_A-L
P. 87

COSMOGONY  AND  COSMOLOGY






                                        Cosmogony


                1. Overview

             In systems of thought based on a once and for all creation of the cosmos by
             a deity,  or at least by a derniurge, the origin of the cosmos is  a moment of
             the utmost significance in which the eternal and the temporal intersect. For
             quite different reasons, twenty-first century cosmologists pay great attention
             to elucidating exactly what happened in the first instants after the cosmic
             explosion known as  the Big Bang. Such considerations are largely irrelevant
             to the understanding of ancient Chinese thought, in which divine creative
             activity was no longer a part of the intellectual landscape by the time cos-
             mological speculation can be traced in the later Warring States period. Nor
             was cosmogony a major philosophical issue. Even at times when we seem at
             first sight to be confronting a cosmogonic discourse, as in the case of Zhou
             Dunyi's ffll~}{@l (I017- 73;  SB  277- 81) Taiji tu shuo  ::t:~II~ (Explanation of
             the Diagram of the Great Ultimate), it is more likely that reference is being
             made not so much to a temporal sequence of evolution as  to an order of
             ontological priority.
                When cosmogonic writing is found in its true sense of an account of the
             origin of the present cosmos from some preceding state (which includes the
             possibility of Non-being; see *wu and you), two characteristics stand out, apart
             from the absence of a divine creator. Firstly, there is  no element of explicit
             teleology.  The universe is not there as part of some wider purpose, or to
             exhibit some message. Secondly, the universe is not a chance production, but
             is the result of the unfolding of an implicit order.
                One of the fullest and clearest early cosmogonies was composed by the
             astronomer, poet, technologist and courtier Zhang Heng *W (78-139;  IC
             2II-12)  around 120  CE.  It forms part of a text, Lingxian 11-': (perhaps "The
             Numinous Structure"),  in which he sets out to give a complete account of
             the large-scale order of heaven and earth.
                Before the Great Plainness (or Great Basis, Taisu ::t: ~ ) [came to be], there was
                dark limpidity and mysterious quiescence, dim and dark.  No image of it can
                be formed. Its midst was void; its exterior was non-existence. Things remained
                thus for long ages; this is called obscurity (mingxing ~'i$) .  It was the root of
                the Dao.


                                             47
   82   83   84   85   86   87   88   89   90   91   92