Page 101 - Aldi Lukman Nurhakim_How to Write Critical Esays: A Guide for Students of Literature
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100  How to write critical essays
               dialogue. His one surviving parent is in love with his father’s
               murderer and the friends of his student-days are now his
               enemies.
             Design a prose-style which pauses frequently to begin a fresh
             sentence. It will encourage you to move on from a generalized
             premise and advance to specific points.
               Beware of compressing both an idea and the evidence which
             supports it into a single sentence. The result is usually inelegant
             and obscure:

               It is not so much Hamlet’s dark clothing and bitter remarks
               in the opening scenes as some of his almost reckless
               behaviour in later scenes (his wild gestures towards Ophelia,
               his rash killing of Polonius) which make us wonder about his
               sanity (although, of course, it is possible to interpret his
               apparent madness as feigned for purposes of political
               prudence until the very end of the play).

             The student should have spotted when drafting this sentence
             that it attempts to use too many different moments in the play.
             Unless your point is to compare or contrast, a sentence which is
             about more than one passage is likely to be over-ambitious.
             Divide it.
               Another warning sign in the example above is the use of
             brackets. Do not interrupt or extend a statement with some
             parenthetical addition which deserves a sentence in its own
             right.
               The ratio of one sentence to one idea is a guideline not a
             rule. There are contexts in which each of your sentences may
             need to encompass a pair of points. Then there may be a risk of
             monotony and you must consider another guideline: sentences
             should vary in structure and in length.
               In answering ‘Compare and contrast’ essay titles, your prose
             may get stuck in a recurring structure. You may repeatedly
             deploy some formula such as ‘On the one hand in X…but, on
             the other hand in Y’, or ‘Whereas in X we find A, in Y we find
             B’. A sequence of sentences where each begins ‘Whereas’ can be
             tedious to read. Try to vary your syntax.
               The content of the following sentences is meant to offer
             helpful advice. Their structure, however, should demonstrate
             the difficulties of reading prose whose grammar is repetitive:
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