Page 113 - Language is an Intangible Bridge

anticipatory aesthetic” is to put observation at the centre of the creative process instead of anticipation.
i hypothesise that by placing anticipation at the centre of a creative strategy, one is bound to attune their sensibilities to, and so unintentionally re-produce those aesthetic values and working habits one is already familiar with, i.e., those values one is used to and comfortable with prior to the beginning of
a creative process. working with anticipation, in other words, at the centre of a creative strategy could be said to lead to the production of unoriginal material and to the reproduction instead of discovery of (new) knowledge.
what do you want to do?
can you continue doing what you want to do even when you have to do something that you don’t want to do?
what you want and what you don’t want simultaneously
can you continue doing what you want to do even when you have to do something that you doesn’t make you feel much?
what you want and what you don’t really care for either way simultaneously what do you want to do?
do you know what it is that you want to do?
imagine you’re running out of time, imagine you don’t have the energy: what do you still have time for? what do you still have energy for?
what are you already doing?
in my experience, what i’m already doing is often closer to the realisation of what i want to be doing than i’d care to admit.
what i want to do is not always the same as what i think i ought to want to do.