Page 196 - What They Did to the Kid
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184                                               Jack Fritscher

                                October 11, 1962


            Pope John XXIII finally opened the Second Vatican Council in
            Rome on October 11, 1962, while at Misery, the 16-millimeter pro-
            jector funneled its own ray of light through the darkened seminary
            auditori um, over our heads, down the middle to the screen. The
            movie actors’ mouths had to work around a hole where some wild
            boy had shoved a chair through the grainy canvas. The movies were
            old, scratched, and wholesome.
               The Mudlark, a movie about Queen Victoria, broke off flapping
            repeatedly during its three reels that had to be switched by hand.
            The lights came up and the boys moaned and I couldn’t be inside
            the movie any more.
               The sound went out of synchro nization. The frames stuck and
            burned and the black-and-white image on screen turned orange and
            melted from the center out as we’d all boo. The movies were rated
            by the Legion of Decency, but the decency of seminarians required
            even stricter watch.
               Whenev er anything slightly sugges tive came on the screen, one
            of the priests held a filing card across the projector lens. I always
            wondered if he watched the scene on the card like his own private
            peep show. We snickered our first years at every carded scene, when
            the screen went dark, or almost dark, and the top of actors’ heads
            bobbed  around,  and  the  dialog  continued,  strident through our
            one-string-and-tin-can-loudspeaker tethered on a long cord and set
            under the screen.
               In our later years, we laughed up our cassock sleeves because
            the priests always told us that we were adults who should be acting
            like adults and then they whipped out the filing cards. At least I was
            able to retrieve a strip of twelve frames that broke off one reel and
            save them in my shoe box. The movie was The Left Hand of God
            with Humphrey Bogart posing as a priest in China. The thought of
            someone posing as a priest intrigued me and I studied those twelve
            frames of Bogart’s face over and over, holding them up to the light.
               Movies at Misery were far from glamorous: no marquee to stand
            under, no coming attrac tions, no popcorn. Most boys filed into the
            auditorium in bleary-eyed compul so ry atten dance at movies I called

                      ©Jack Fritscher, Ph.D., All Rights Reserved
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