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their individual careers   occasionally, was already   middle class. The effect   cal patronage.
             even as they correspond   a star.                 of this phenomenon was     Shrill and orchestrated
             to the same timeline, trace   Distant from both   a new hero representing   campaigns on television
             different graphs of success   these two young men   creamy top layer society   and social media plat-
             and celebration.         was Shahrukh. Unlike     and the glitz of India shin-  forms are targeting the
                Aamir Khan was the    Aamir and Salman, he had   ing. Not surprisingly, film   Khans’ religious identities.
             first to acquire fame in   only known the world of   plots turned away from the   In changing modes of how
             his uncle Mansoor Khan’s   theatre in Delhi and had   pressing concerns of the   entertainment is produced
                       Q
             production  ay amat se   no association with the   rural and urban poor, even   and consumed, it remains
             Q ay amat Tak  (1988). This   film industry. His career   as the single screen theatre   to be seen if the ageing
             film, argues Bamzai, subtly   started as a small-time   gave way to the comforts   Khans can reinvent them-
             redefined gender dynam-  actor in television shows.   of the multiplex catering   selves again in the face of
             ics through its portrayal of   Shahrukh’s early films   to its well-heeled clientele   competing OTT platforms
             a younger and softer hero   R aj u Ban G ay a G entleman   unwilling to rub shoulders   that restrain the erstwhile
             who is the object of desire   (1992) and  ab hi H aan   with the hoi polloi.  reach of cinema; and also
                                               K
             of its ‘innocent yet deter-  K ab hi N aa (1994) perhaps   In the last few years,   at times when democratic
             mined’ heroine.          mirror his own struggle as   the Khans have had to face   processes and guarantees,
                Salman Khan whose     an ambitious youth thirst-  a string of films that failed   which underpinned the
             first hit came with Maine   ing to rise quickly in his   at the box-office. Younger   shared cultural space that
             Py ar K iy a (1989), a movie   career and gain fame and   male leads are closing in   is Bollywood cinema, are
             that correlated blatant   fortune.                on the race to stardom,   eclipsed by the untrimmed
             consumerism with the       In aspirational India   even as older contempo-  ambition of political
             Hindu joint family, carried   set into momentum by   raries such as Akshay Ku-  stardom.
             the burden of awareness   the last decade of the 20th   mar continue to have an    ROHINI MOKASHIŠ
             that the other Bandra boy   century, the state was the   effective presence, perhaps   PUNEKAR (The Book
             Aamir, whom he had met   enabler of the burgeoning   a result of courting politi-        R eview ‹













































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