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from Kalyan Pradeep      from the narratives of sur-  to scrutiny and catechized   seeks to question. And it
         (1929), a biography of   vival penned by his white   through the lens of indig-  is precisely for this reason
         a young Bengali doctor   counterparts.           enous knowledge, colonial   that perhaps now more
         Kalyan Mukherji by his     The theme of move-    encounter, and ecological   than ever, an insistence on
         grandmother Mokshoda     ment, of people, objects,   devastation.         empathy, compassion, and
         Devi, and Abhi Le Bagh-  and ideas, acts as an      Woven through all the   a shared sense of human-
         dad (1957), a memoir by   anchor across the text.   essays is a resolute call for   ity becomes all the more
         Sisir Sarbadhikari, Ghosh   From the lascars who   empathy. In his readings of   urgent.
         resurrects two incredible   emerge as the first global   Priya Satia’s Time’s Mon-  Wild Fictions is, at its
         narratives that have been   Indians, to present-day   ster (2020), Ghosh returns   heart, a meditation on
         long forgotten.          migrants in Europe, to his   to an oft-repeated ques-  the making of a writer,
           What supersedes his    own peripatetic life, Ghosh   tion: why do good people   on the conversations
         ability to reproduce the   shows how the act of mov-  do bad things? The ques-  that shaped him, the
         archive is that, unlike his-  ing across waters, borders,   tion is not as rhetorical as   travels that surprised
         torians, Ghosh inhabits the   and languages is never   it is ethical. In recounting   him, and the realities
         archive through the crutch   without historical freight.   the memoir Abhi Le Bagh-  that disturbed him. For a
         of fiction. This is a method   In a delightful essay, ‘The   dad, Ghosh points to how   writer like Ghosh, it was
         familiar to anyone who   Well Travelled Banyan’,   Sarbadhikari never lost the   perhaps long overdue.
         has read the Ibis Trilogy.   he turns to the everyday   perception of humanity   With measured tone that
         He is attentive not just   Indian staple, the vest or   during the war, even in his   is never agitated, he charts
         to what the archive says,   banyan, as the protagonist   enemies. Sarbadhikari’s   the entanglements of
         but to what it fails to say:   of Indian identity amidst   account is not isolated;   empire, capitalism, history
         the tremors of race, caste,   global flow.       many of the essays remind   and ecology, allowing for
         and class that shape lived   Through such attentive   the reader that in this   quiet, anecdotal moments
         experiences. A striking   readings of the archive   age of conflict and hate,   to root concerns of the
         example is his account of a   Ghosh disrupts many of   practicing compassion is   mundane. These essays are
         doctor stationed in Burma   the foundational myths   not simply possible but a   not only insightful, but are
         in 1942, whose arduous   of the West. Ideas long   necessity. Morality is never   essential reading today to
         journey back to India is   tethered to the rhetoric of   unmediated in a capital-  understand our world in
         marked with racial humili-  liberalism, progress, and   ist landscape; it is imbri-  the shadows of peril.
         ation, a very different tale   sustainability are held up   cated in the very system it   ANIDRITA SAIKIA (The





































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