Page 25 - The Staunch Test
P. 25

THE STAUNCH TEST




               Internalised misogyny is often cited as an explanation as to why women degrade
               or put down women in other spheres, and why some women choose to write or
               consume stories where women are beaten, raped, tortured and killed. Others
               claim it’s cathartic, because it has happened to them, or because it enables them
               to confront the fear of things that might happen in the safe knowledge that what

               they’re watching or reading isn’t real. It allows them to experience the thrill of
               being terrified without the consequences.

               There’s certainly a market for this kind of material. In the highly competitive
               crime-writing world, with so many novels published each year, (and many more
               rejected) some writers go to extremes to be considered ‘edgy’ or ‘dark’.  But
               why does that so often mean turning on women? As someone who reads a huge

               number of thrillers for the Staunch Book Prize, I can say with confidence that it
               doesn’t result in better writing or storytelling.


               Why doesn’t violence towards women in popular culture receive more
               criticism?

               Internalised misogyny may be the reason some women write, read and view

               such  material.  But  could  it  also  be  that  most  people are  simply  inured  to  it
               because scenes of women in fear and suffering violence are literally sent into
               our homes via multiple channels daily or can be seen at our local cinema?

               Thousands of shows of this kind are made and broadcast or streamed every year.
               Yet surprisingly, there’s very little discussion about violence towards women in

               screen reviews and online comments — it barely gets a mention beyond the
               weary ‘not again’ when yet another crime series features murdered women. But
               why is it considered ‘normal’, popular and generally to be revered, and referred
               to as compelling and ‘addictive’?

               When TV shows with rape storylines do draw comment and get discussed, it’s
               not when they follow the usual trope of showing off a detective’s skills as they
               track down a rapist. It’s when they try to address the subject differently — or
               ‘better’.
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