Page 27 - The Staunch Test
P. 27

THE STAUNCH TEST




               Over 12 brilliant and challenging episodes, she tries to figure out by whom, how
               she feels about it at any given time, what was taken from her and what remains,
               and what consent means. Male rape is also tackled. Quite rightly this fearless
               creation has won many prizes. There could be so many more series or films like
               this, but there probably won’t be. Why? Because producers will say ‘it’s been

               done’. There isn’t room for alternatives to the accepted overload of films and TV
               shows  where  women  are  made  into,  and  obediently  remain,  victims.  I  May
               Destroy You has a Staunch Test Debate rating because while it contains violence
               to a woman, it’s central premise is to boldly explore the surrounding issues.

               It’s  almost  as  though  the  excessive  use  of  violence  against  women  and
               exploitation  of  their  trauma  is  more  acceptable  when  it’s  shoved  at  us

               thoughtlessly, and every crime is solved by detectives that are tenacious but
               flawed and wrapped up in their own problems. The more filmmakers try to put
               a sensitive, thoughtful or critical spin on violence towards female characters, the
               more likely they are to be criticised and held to account. How on earth did we
               get to this point?




               8. How can violence against women on screen affect women in real
               life?


               As noted earlier, most female victims of violence know or knew their attacker.
               On screen, it’s the opposite. In single and series drama and feature films, women
               are  far  more  likely  to  be  shown  as  victims  of  violence  from  strangers.  In
               television, domestic violence is an issue mainly reserved for soaps. There are
               notable  exceptions,  such  as  TV  series  Big  Little  Lies,  (2017-19)  from

               producers/stars Reese Witherspoon and Nicole Kidman. It’s rare, in that it shows
               (increasingly graphic) scenes of domestic violence. The growing horror was that
               this could happen and be a central part of a privately toxic relationship, where,
               publicly, both were liked and respected members of their community.
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