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                                                                                                                                                                            Vayeilech
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                              ha’azinu ּוניִזֲא ַה                                                                         £Walking the Way of LifeWalking the Way of LifeWalking the Way of LifeWalking the Way of LifeWalking the Way of LifeWalking the Way of Life
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                                                                                                          The portions of Nitzavim and Vayeilech are usually read together on
                                                                                                          Shabbat. The late Lubavitcher Rebbe, Menachem Mendel Schneerson,
                                    Witnesses for Goditnesses for Goditnesses for God
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                                    £Witnesses for GodWitnesses for GodWitnesses for God                  points out an interesting dichotomy between the names of the two
                                                                                                          portions. Nitzavim means “entrenched,” “permanent,” or “standing,”
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                                                                                                          while Vayeilech denotes “movement,” “progress,” or “going out.” He
                                                                                                          elaborates on this insight by noting that there is a similar dichotomy
               According to tradition, ten archetypal songs are sung throughout                           between the Written and Oral Torahs’ characteristics: the Written
               history. Naturally, the ten songs correspond to the ten sefirot and the                    Torah is immutable and the Oral Torah is ever-changing.
               ten Divine utterances of creation. While countless songs have been
               and will be sung over the course of history, these ten songs stand out                       Rabbi Shimshon Raphael Hirsch makes a  similar observation
               because nine of them were written in a state of Divine inspiration                         about the Torah in general. He explains that the tablets of the law
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               or prophesy and were sung at climatic moments in Jewish or world                           Moses received at Mount Sinai were housed in an ark in the Holy
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               history, moments when an individual or the entire people of Israel                         of Holies. The ark itself was actually made of three boxes – a box
               underwent  a transition, transformation,  or revelation. The tenth                         of  acacia wood placed between two boxes of  pure gold; thus, the
               song, “a new song,” will also be similarly inspired at a suitably epic                     two golden boxes surround an inner wooden box. Gold, he explains,
               moment in history – Mashiach’s arrival. The song of Ha’azinu is one                        represents the immutable, unchangeable, and eternal quality of the
               of the nine songs. Many commentators point out that its allusions                          Torah, while the inner wooden box symbolizes growth and constant
               span the period ranging from creation to the Messianic redemption.                         development. He explains that both aspects are intrinsically valid
               Ha’azinu has both universal and particular themes, as it contains                          and our mission is to unite these seeming opposites.
               allusions to human history, in general, and to the Jewish people’s                           From a mystical perspective  these  contrasting  qualities are
               history, in particular.                                                                    actually complementary, reflecting the “run and return” dynamic

                 The first three verses in the portion allude directly to the creation                    we have discussed throughout this book. It is interesting to note that
               of the world, as a close reading reveals deep parallels between these                      learning to differentiate between what cannot be changed and what
               three  verses  and  those  describing  the  first  three  days  of  creation.              must be changed is one of the cardinal principles of various twelve-
               The Torah’s first verse, describing the creation of heaven and earth,                      step programs. Although this may seem obvious, in many cases it is a
               contains seven words.  Ha’azinu’s  first  verse,  wherein  the  heavens                    complex and confusing task for even the most well-adjusted person.
               and the earth are brought as “witnesses” to Moses’ utterance, also                           In Masei, we discussed the Land of Israel’s ever-changing borders.
               contains seven  words: “Give ear heavens  and I  will speak,  and                          Torah, like the Land of Israel, is not static; rather, it is in a constant
               may the earth hear the words of my mouth” (Deuteronomy 32:1).                              state of revelation. Since the Written and Oral Torahs are absolutely
               Parenthetically, Rashi explains  that Moses’ calls upon  heaven                            inseparable, even  those  laws that appear to be  unchanging still
               and the earth to witness his song as they will, for all intents and                        constantly reveal new aspects and allow for new insights, each in
               purposes, exist forever. Furthermore, they will serve as God’s agents                      their own way. Learning to walk in the way of the Torah is learning
                                                                                                          how to walk the way of life.


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