Page 59 - ATA 13 NOV 2015
P. 59

PEOPLE & ARTS A29
                                                                                                                             Friday 13 November 2015

Cirque du Soleil turns its attention to cracking New York 

MARK KENNEDY                  good lately in pushing the           Award winner currently on-   Shpeel” and sensed quick-  “The genre of circus is tradi-
AP Drama Writer               boundaries of creativity             stage in the play “Sylvia,”  ly that it wasn’t a great  tionally not one of storytell-
NEW YORK (AP) — After         and also of technology.”             was in the cast of “Banana   match for the city.        ing. It’s more abstract.q
years of treating New York    “Paramour” at the Lyric
somewhat warily, like a       Theatre marks the first time
dangerous high-wire act,      Cirque has gone directly
Cirque du Soleil is ready to  after the Broadway mar-
flip over the Big Apple.      ket, with show creators
The Montreal-based cir-       hoping to give the produc-
cus company is planning       tion more story than tradi-
for two traveling shows to    tional Cirque offerings.
land in the city next fall,   Cirque du Soleil hasn’t al-

This image released by The Publicity Office shows a scene

from the Cirque du Soleil show, “Kurious.” The Montreal-based

hyperactive circus company plans for two traveling shows,

“Kurios” and “Toruk,” to land in New York City next fall, as well

as “Paramour” this spring specially designed for a Broadway

theater. 	      (Martin Girard/The Publicity Office via AP)

as well as a new one this     ways had roaring success
                              in the city. The female-
spring, “Paramour,” which     centric “Amaluna” — the
                              Diane Palus-led melding of
Cirque has specifically       Shakespeare’s “The Tem-
                              pest” with jaw-dropping
designed for a Broadway       circus tricks — was well-
                              attended in 2014 at Citi
theater.                      Field. But “Banana Shpeel”
                              — a disappointingly spot-
“For us, New York is an       ty program of acrobat-
                              ics, juggling, dance and
underdeveloped market         mostly tiresome slapstick
                              — flopped at the Beacon
and it’s surprising because   Theatre in 2010.
                              Annaleigh Ashford, a Tony
it’s still the world capital

ofentertainment,” said

Daniel Lamarre, president

and chief executive offi-

cer of Cirque.

“We are a strong player

worldwide with a world-

wide brand and we have

spent a lot of time devel-

oping the Las Vegas mar-

ket and not enough focus

on developing the New

York market,” he said.

Lamarre promised three

completely      different

shows: In addition to “Par-

amour,” there will be the

eccentric and dreamy big

top show “Kurios” and the

new arena show “Toruk,”

inspired by James Cam-

eron’s movie “Avatar,”

which he described as “a

live, multimedia specta-

cle.”

“Our challenge is always

to be on the edge and al-

ways come with distinctive

types of shows that will al-

ways surprise our fans,” he

said. “I think we’ve been
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