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PEOPLE & ARTS A29
                                                                                                                                                                        Saturday 20 January 2018

In 'Alienist,' Dakota Fanning
breaks 1890s rules for women

By LYNN ELBER                  in the parlance of the day       for women aren't just part
AP Television Writer           — played by Daniel Bruhl;        of a bygone era, with the
LOS ANGELES (AP) — Da-         a newspaper illustrator          current sexual misconduct
kota Fanning was unfazed       (Luke Evans); and police         crisis a reminder. Were you
by being on her own for six    commissioner Theodore            struck by the parallel?
months in Budapest or the      Roosevelt (Brian Geraghty)       Fanning: It has struck me
dark nature of the TV se-      to find a serial killer target-  for sure, and it has for a
ries that brought her there,   ing boy prostitutes.             long time. Unfortunately
TNT's adaptation of "The       She discussed the series         this has been going on for
Alienist," Caleb Carr's 1994   (debuting Monday at 9            a while, and it is confusing
novel.                         p.m. Eastern) and how she        why we can't keep these
The young actress said         approaches acting in a re-       conversations going. We
creating a life in Europe      cent interview.                  feel like things change for
proved an exciting and         The Associated Press: Your       a while and they go back
"transformative" time, one     character is a secretary         to the way they were. This
that allowed her to dis-       who aspires to be a police       story has really proved that
connect from routine de-       detective, an unusual goal       to me. I want people to
mands and "lean into the       for that period. Is she a        be talking about it always
experience" and her role.      young woman out of sync          and forever until it does
She clearly doesn't shy        with her time?                   change. It is pretty crazy to
away from work. On-            Fanning: She's almost not        watch this part of the show
screen for most of her 23      supposed to be born in the       and read a modern-day
years, Fanning has com-        period she was. That's what      story that's pretty similar.
piled a deep list of TV and    I loved about the character      AP: Starting out as a child
movie credits that veteran     and why I wanted to do it.       actress, how did you de-
performers would boast         We get to see her balance        velop the ability to analyze
about, including "War of       her desire to advance her-       the characters you play?
the Worlds" and the "Twi-      self in society, and not just    Fanning: I've always felt
light" franchise.              by getting married to a rich     intuitive about acting and
At age 7, Fanning be-          man. But at the same time,       the process of what I do.
came the youngest-ever         she is a young woman and         ... When I was little, it was
individual Screen Actors       we get to see her blossom-       always that I wanted to be
Guild Award nominee for        ing sexuality and feminin-       natural: How would a per-
her supporting role in "I Am   ity, and how she has to bal-     son react, not an actor?
Sam." She's a presenter        ance that with being taken       You want people to get
at this Sunday's SAG cer-      seriously and being heard.       lost in your performance
emony. In "The Alienist," set  ... She inhabits a very hos-     and believe that you've
among the grandeur and         tile workplace in the police     really experienced what
poverty of the Gilded Age      department, and we see           you're experiencing on-
in 1890s New York, Fanning     how it affects her when          screen. It's still intuitive but
plays Sara, an ambitious       she's alone and with other       I'm sure that muscle has
woman who joins with a         people.                          been trained as I continue
psychologist — or alienist,    AP: Workplace struggles          to do this.q

Review: Prodigal son unwillingly
returns in 'Infinite Sky'

By LINCEE RAY                  expected that he will one        sure him into staying in
Associated Press               day take over the family         Montana and taking over
For young dreamers who         business. When Anthony           his rightful duty of running
long to escape the sleepy      chooses to move to New           the ranch.
town where they grew up        York City to pursue a ca-        Desperate times call for
for a more exciting and        reer in the arts, the ripple     desperate measures, es-
fulfilling life, the question  effect is felt not only by his   pecially when there is no
of roots versus wings is a     immediate family, but also       money in the bank. An-
constant internal strug-       by the entire community.         thony steels his mind with
gle. Author Carrie La Seur     Heads turn and spines            alcohol, does his best to
tackles this familiar trope    stiffen the day Anthony          wrangle his emotions and
by weaving an elegant          returns home to take a           counts down the days un-
thread of Shakespeare          job at a theater camp for        til the camp is over so he
and poetry throughout          kids. The big city had been      can return to being a pen-
her sophomore novel, "The      cruel to the budding art-        niless player in New York.
Weight of an Infinite Sky."    ist and after three years        Unfortunately, old memo-
Anthony Fry is the prod-       away, Anthony has noth-          ries and bad decisions
uct of several genera-         ing to show for his acting       come back to haunt An-
tions of ranchers. His fam-    career. After losing his fa-     thony the minute he re-
ily's name is respected in     ther to a freak horse riding     turns to his hometown. His
Montana, and as the only       accident, Anthony knows          cheerful cousin is now a
son to Dean and Sarah, it's    his mother is going to pres-     brooding cowboy. q
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