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A30    PEOPLE & ARTS
                 Thursday 16 January 2020
             ‘Bad Boys for Life’ is kinda bad. Whatcha gonna do?




            By MARK KENNEDY              of  the  sports  car  is  hand-
            The third edition of the “Bad  stitched   leather.   Law-
            Boys”  franchise  starts  as  it  rence’s cheeks bulge; he’s
            must  do:  With  a  gleaming  about  to  hurl:  “You  better
            Porsche swerving at impos-   drink it,” the driver barks.
            sible speeds through Miami  All  is  good.  We’ve  again
            traffic  under  the  expert  got  Smith’s  cocksure  De-
            control  of  Will  Smith,  with  tective Mike Lowrey beside
            Martin  Lawrence  growing  Lawrence’s  more  cautious
            very sick beside him.        Marcus Burnett. There’s the
            The  engine  snarls,  the  car  customary  playful  banter
            repeatedly  fishtails  and  between opposites. We’ve
            strains.  Smith  looks  over  to  got  sunny,  titillating  Miami
            his partner with alarm and  and  we  are  inches  from
            points  out  that  the  interior  death but really never that

                                                                      This image released by Sony Pictures shows Martin Lawrence, right, and Will Smith in a scene from
                                                                      "Bad Boys for Life."
                                                                                                                                            Associated Press
                                                                      close.  We’re  in  our  ’90s  Lowrey  worked  on  before  Age  has  taken  its  toll:  Bur-
                                                                      comfort  zone.  You  can  al-  he teamed up with Burnett.  nett  is  a  grandfather  now
                                                                      most  hear  it:  “Bad  boys,  Someone is out for revenge  who  needs  glasses  and  is
                                                                      bad boys/Whatcha gonna  and they are exposing skel-       eyeing  retirement,  while
                                                                      do,  whatcha  gonna  do/     etons  in  Lowrey’s  closet,  Lowrey  is  unsettled,  still  a
                                                                      When they come for you?”     uncovering  a  backstory  playboy  but  a  wistful  one
                                                                      So it’s so disappointing that  inconsistent  to  the  Lowrey  who  colors  his  goatee
                                                                      ”  Bad  Boys  for  Life  ”  soon  we  have  come  to  know.  black  with  hair  dye.  (Yes,
                                                                      swerves  into  weird  neigh-  We add cliches — a team  there     are   colonoscopy
                                                                      borhoods  and  gets  bloat-  of smart, young, sassy cops  jokes in this film.) Lowrey is
                                                                      ed  as  it  tries  to  get  deep,  —  on  top  of  some  twists  having  second  thoughts
                                                                      trying to explore topics like  worthy of Shakespeare.     about  one  flame  who  got
                                                                      religion,  mortality,  biologi-  Adil  El  Arbi  and  Bilall  Fal-  away:  Paola  Nunez,  who
                                                                      cal determinism, individual  lah  have  taken  over  from  plays a fellow cop. A crisis
                                                                      legacy and aging. It’s odd-  Michael  Bay  in  the  direc-  forces  Burnett  to  make  a
                                                                      ly flat and unfunny and has  tor’s  chair  but  the  look  of  vow to God. Hell is a topic
                                                                      strayed so far from its gritty  the  film  essentially  mimics  discussed — “darkness that
                                                                      roots that it might be called  its predecessors, with satu-  swallows  you  whole.”  We
                                                                      “Bad  Boys  for  Life  Insur-  rated  colors,  quick  cuts,  are  a  long  way  from  the
                                                                      ance.” Sure, you can’t stay  muscular stunts and lots of  time Burnett was shot in the
                                                                      still.  Smith  and  Lawrence  pretty  women.  An  under-  keister by his partner.
                                                                      are both past 50 and their  stated  Vanessa  Hudgens  The convoluted plot keeps
                                                                      characters  can’t  keep  to  plays a cool cop and Kate  finding  false  endings  that
                                                                      the same formula of “mus-    Del Castillo is on the oppo-  just lead to bigger outland-
                                                                      cle shirts and body counts,”  site  side  in  more  than  one  ish  stunts  —  many,  many
                                                                      as  Burnett  argues.  But  do  sense,  playing  an  abso-  helicopters   and   motor-
                                                                      we  really  want  Burnett  to  lutely unhinged cartel boss  cycles  —  until  it  ends  in  a
                                                                      straight-faced  tell  a  Bud-  wife  who  uses  witchcraft.  rundown palace in Mexico
                                                                      dhist parable about a horse  Joe  Pantoliano  returns  as  City with a fiery conclusion
                                                                      and then ask Lowrey about  the Pepto-swigging detec-      that  goes  to  cartoonish,
                                                                      how he can overcome his  tives’  boss  and  DJ  Khaled  very  Bay-ish  lengths.  Smith
                                                                      own  trauma:  “Where  are  has  a  small  role  as  well  as  and Lawrence are far from
                                                                      you going, Mike?”            putting  together  the  lively  home,  on  foot  and  facing
                                                                      The first film in the franchise  soundtrack.              a military-style ambush. It is
                                                                      hit  theaters  25  years  ago,  There  are  sly  references  a franchise that has lost its
                                                                      giving  us  foreign  baddies  to  the  previous  films  —  a  way.
                                                                      with  beepers,  Tea  Leoni  private  conversation  be-    A potential sequel is hinted
                                                                      in  little  skirts,  many,  many  tween  the  detectives  is  at  during  the  end  credits
                                                                      bricks of heroin and an ex-  accidentally    broadcast  but  it’s  hard  to  believe  a
                                                                      ploding  airplane  hanger.  as  in  the  second  film  and  fourth  episode  could  save
                                                                      Eight years later came “Bad  rats  make  an  encore  per-  the “Bad Boy” legacy. Still,
                                                                      Boys  II,”  a  slicker  flick  with  formance  in  the  new  one  as long as Smith and Law-
                                                                      slow-mo sideways shooting,  — but the filmmakers have  rence are willing to pair up
                                                                      a feisty Gabrielle Union in a  forgotten that what makes  again,  “whatcha  gonna
                                                                      white  suit,  the  annihilation  this  franchise  work:  The  do  when  they  come  for
                                                                      of  many  cars  and  many,  interaction  of  Smith  and  you?”
                                                                      many  ecstasy  pills.  “Bad  Lawrence  in  stressed  envi-  “Bad  Boys  for  Life,”  a  Co-
                                                                      Boys for Life” doesn’t have  ronments.  So  often  in  the  lumbia  Pictures  release,  is
                                                                      drugs — if you don’t count  new  film  they  are  sepa-   rated R for strong, bloody vi-
                                                                      Viagra jokes — but instead  rate, dealing with their own  olence, language through-
                                                                      has a murder plot to assas-  stuff. “Bad Boys” only works  out, sexual references and
                                                                      sinate  everyone  connect-   when  the  bickering  cops  brief  drug  use.  Running
                                                                      ed  with  an  old  drug  case  are center stage.          time: 124 minutes.q
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