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Reverse Engineering.... pleas








                 If you’ve followed previous articles here        varying speech patterns, including
                 in Write Away, you already know a few            jamming in a lot of words really fast…
                 songwriting “tools” that absolutely              That is a LAST resort, not a regular
                 should never leave the toolshed (in my           feature.   Less is more, economy of
                 humble opinion….humble or not, these             verbiage…you’re simplifying a complex
                 drive me crazy!) Let’s review:                   thought…don’t write an encyclopedia!

                 1.  Do NOT, under any circumstances,             5. An analogy from live
                 try to drum up sympathy for your song            performance: sometimes some of my
                 by killing off a main character…..if your        blues friends will try to “wing it”
                 song is so bad that it needs a funeral to        without an organized set list…. Often,
                 make us feel something, give the song a          the impulse “this would work right now”
                 quiet funeral in the backyard….                  is actually reacting to what worked a
                 perhaps a cremation!   Unless that’s the         minute ago.   There is a TREMENDOUS
                 exact story you need to tell, I guess.           human tendency to write the previous
                 Otherwise, quit it!                              song over again (both musically and
                                                                  lyrically)... search out and destroy this,
                 2. Do NOT invent an oddly-named                  it will try to hide in your subconscious...
                 character or setting just in time to             just adding a bridge to what went before
                 rhyme!!   That is the OPPOSITE of                is not enough.
                 creative!   That is both lazy and stupid
                 (what the bluesmen call “doubl-dumb!),           6. Don’t write what you don’t know
                 and will alienate your listener.   No little     7. Flip side of that…..usually, I talk to
                 sister Nell, who has no other function in        you about the kind of song that tells a
                 the story.                                       story ( my favorites).    There is another
                                                                  type, which just floats on a cloud of a
                 3. If you have a beautiful story with one        powerful emotion.   That type is
                 weak rhyme, try reversing the order, so          perfectly valid… but beware!!!   I hear
                 your story LANDS on the better line.             that that emotion called “love” is really
                 Don’t land on the filler! That will              great.   I hear it’s really powerful.   I hear
                 underline the weakness.                          it’s universal.  I hear that that floating
                                                                  feeling is simple ( unlike all the rest of
                 4. Have you ever heard the expression            it).  Unfortunately, that has led to more
                 “Art is not what you put in, it’s what you       cliche-ridden crap than any other ten
                 take out”? Go back to your                       subjects.   If Paul McCartney wants to
                 masterpiece and remove every word                write “Universal, simple, silly love
                 that expresses something they already            songs” that DOES not mean it’s
                 know (based on the rest of the song).            anything but poison for an aspiring
                 Rap has opened your listeners’ ears to           songwriter on the way up.   If you’re






                12                                                                 www.writeawaymagazine.co.uk
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