Page 108 - Pat O'Keeffe Combat Kick Boxing
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Combat Kick Boxing

          One Against Four
          Situation Four: You are surrounded
          on all sides by four assailants. Two are
          armed, one with a knife and one with
          a baseball bat.
          1) The first attacker throws a kick to
             your groin. Counter by
             sidestepping to the left, lower parry
             with your right arm and throw a
             roundhouse kick to his groin.
             (Fig. 187)                                   Fig 187
          2) Push the first attacker into the
             attacker carrying the baseball bat.
             (Fig. 188)
          3) Throw a side kick to the stomach
             of the second attacker as he attacks
             with a knife. (Fig. 189)
          4) The third attacker makes a grab for
             you with both hands. Slap down his
             hands and throw a head-butt/right
             knee to the groin combination.
             (Fig. 190)                                   Fig 188
          5) Throw a right cross to the throat
             of the attacker with the baseball bat.
             (Fig. 191)
          It cannot be emphasised enough that
          you must move quickly and decisively.
          Keep twisting and turning and get
          them all in your line of sight.
            The greater the number of assailants,
          the greater the danger, if for no other
          reason than time – time to hit them and
          time to move. If attack is inevitable then
          be in first. Strike as hard and fast as you     Fig 189
          can and be ruthless. Any other attitude
          will see you dragged to the ground and
          stamped on.
            If you are downed, get up! Even if
          you suffer blows as a result, in a gang
          attack going down is the greatest
          danger. People talk of courage in
          fighting. Believe me, fear, ruthlessness
          and the desire to win are more
          important. Courage is so often
          another’s perception of what he sees,           Fig 190
          not what the victim feels.

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