Page 63 - Casting of Angels- Dave Parvin
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                Sculpting Hair in Life Casting,



                                                           Part 2
                                                   By David E. Parvin, A.L.I.

             ast month, July 2006, I explained   volume and weight. The same image
             how easy it is to cast hair so that   sculpted has to be done just right or
             the finished mask becomes a       the piece will appear to be
          much more recognizable portrait than   unbalanced. I said “usually has
          without hair. But there are some     volume and... almost no weight”
          limitations. For example, because the   since if hair is compacted into a bun,
          hair must be coated with a thick     braid, or, to some extent, a pony tail,
          conditioner, it will have a “wet” look   it can seem to be more substantial
          as if the person had just come from a   and is easier to capture than loose
          pool or shower. The amount of detail   hair. If the hair and its volume verses
          that can be captured is directly     weight isn’t quite clear, consider
          proportional to the thickness or body   something similar, smoke and clouds.        Photograph #1
          of the hair. Photograph #1 shows a   All three of these are no problem for
          young lady whose hair was ideal for   a painter. Half way between a
          casting and required no              painting and a sculpture, a bas relief,
          enhancement. But what about when     works pretty well too. But a three
          the subject has very thin hair or you   dimensional, in the round sculpture is
          just want to add hair for some special   a little trickier to pull off and be
          effect. For example, I have had      convincing. There is a Latin phrase
          women whose hair wasn’t long         by Catullus that is a favorite of mine
          enough request what I call mermaid   that almost fits here, “Sed mulier
          hair as in photo #2, i.e. that their   cupido quod dicit amanti in ventro et
          breasts be at least partially covered   rapida scribere oportet aqua.” For
          by their hair. A simple solution is to   those who have forgotten their Latin,
          have the person wear a wig. It       or more sadly, never learned Latin,
          doesn’t even have to be a good wig, a   “What a woman says to her lusty
          cheap costume wig will do nicely.    lover is best written on the wind or
          (Photograph #3) But it’s pretty easy   rapidly moving water.”                       Photograph #2

          to sculpt on additional hair. The    I distinctly remember when I realized
          procedure is to make an alginate     the second point I want to emphasize.
          impression of the model, cast a        I was in Scottsdale, AZ and was
          plaster positive, sculpt the hair on to   going from gallery to gallery
          the plaster, make a rubber mold of     enjoying the art. I came across a
          the repaired mask, and cast the        bronze pheasant taking flight as if
          improved version. I realize that is    escaping an enemy. The artist had
          about the same degree of over        meticulously sculpted in every detail
          simplification as explaining that to   of each feather. I have always been a
          carve a horse from marble, just cut   fan of detail and accuracy and I am
          away everything that doesn’t look     confident that I have seen far more
          like horse. I’ll give you better       work that was under finished than
          directions but first let me explain a   overworked. But in this case, the
          few things about hair, especially     pheasant had no life whatsoever, it           Photograph #3
          sculpted hair whether on life castings   looked like a bronze stuffed bird; it
          or more traditional sculptures.         just wasn’t believable. At that
             The first and most important       moment I had an “ah ha” experience
          thing to understand is that in life, hair   and understood something that I   Photo 1: Young lady with great hair
          usually has volume and takes up      should have figured out much sooner,   for casting, required no additional
          space but has almost no weight.         sometimes it looks more real to    sculpting.
          Imagine someone with long hair on a   sculpt (or paint) the way the eye sees   Photo 2: Mermaid hair which covers
          windy day; the hair can be blown      it rather than the way it actually is.   enough of the breast to be
          straight out to the side without      Had the artist loosened up a little, he   respectable
          unbalancing the person. But hair       or she would have made a more       Photo 3: An example of casting
          made of bronze, marble, plaster,      believable pheasant in flight. Since   someone in a wig.
          wood, Forton MG, etc. has both        then I have seen this same mistake
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