Page 80 - The Digital Cloth Issue 7
P. 80
I have always been drawn to textiles but it hitomezashi and kogin as well as
wasn’t until I moved to the Northern Rivers teaching my own pattern designs. Lately
region on the North Coast of NSW in the late this has taken a new form in online
1980s that I really began to start producing workshops which are proving popular and
textile works. As well as being attracted to available to a worldwide audience.
the natural landscape around Lismore, I also
thought there seemed to be a wonderful mix Before we get started with your
of creative people living in the area. Stitchery Story would you like to share
with us what you are working on at the
I began by learning the techniques of moment – what has got you excited?
patchwork and quilting, while developing I really enjoyed working on my latest
more and more interest in Japanese textiles. project ‘A Vase of Flowers’ which was
Over time, this led to me opening my inspired by a long-admired textile work
studio-based business BeBe Bold over fifteen from the 1970s by my English cousin Isabel
years ago specialising in Japanese textiles Levitt. It features azuminomomen Japanese
including sashiko, kogin and yarn-dyed fabrics and sashiko/embroidery threads
Japanese fabrics. As part of this, I also The vivid mustard colour I think adds
travelled extensively around Australia to craft great warmth and a 70s feel to the piece.
and quilt exhibitions, teaching and It seems a very uplifting work for me, as
demonstrating the wonderful richness of if someone has been out for a lovely walk
Japanese textiles. Recently, we opened our and brought home a large bunch of wild
second studio in the east of France for flowers that are spilling over the sides of
European and British textile enthusiasts which the vase. A pattern is in the works!
is keeping us all busy! Teaching is another Also I have started receiving photos of my
big part of what I enjoy about BeBe Bold. I Wildflowers Freeform Applique design
frequently teach in Australia and have had the being framed in homes following
fortune to teach in the new studio in France workshops. I am really pleased that is such
and in the UK. I find there is particular interest a loved design and I really enjoy seeing the
in learning different sashiko styles including finished works.