Page 81 - The Digital Cloth Issue 7
P. 81

How did you first get interested in                       style of appliqué and embroidery.
      embroidery & textile art? Who taught you?
      What did you do?                                          What are your favourite techniques?
      I became especially interested in textile arts and  Why do you like them so much?
      embroidery when I studied a college art course            I love working with different forms of
      in Oxford. My completed project featured                  sashiko including kogin and hitomezashi
      pastel crayons and pencils but I kept thinking            (one stitch sashiko). I love this particular
      that I wanted to remake it using fabrics. That            style for its combination of weaving and
      began my curiosity with how textiles could be             stitching techniques. I find the repetitive
      used to make a different kind of picture,                 design very relaxing and meditative.
      particularly using techniques like appliqué and
      embroidery.                                               What has been the highpoint of your
                                                                textile art & embroidery journey so far?
      Who or what have been major inspirations                  I would have to say the highpoint of this
      to you over the years? And currently?                     journey is having the fortune to be able to
      My original interest in sashiko in Australia was          design and share my passion for textiles.
      developed by Sue Leyton-White of Sanshi in                It is a continuing process of which I never
      WA and Irma Chelsworth who generously                     grow tired.
      offered me lots of inspiration with approaches
      to sashiko and to see the wealth of traditional           How do you manage your creative time?
      Japanese textiles including kasuri, katazome,             Pretty poorly if I am honest! A lot of the day
      shibori. I am continually inspired by the brilliant  to day of business activity means that the
      work of Akiko Ike whose chiku chiku style of              creative time I would like to have is often
      stitching sashiko offers great freedom of                 impacted, however I don’t think this is
      expression. Also, Reiko Domon and her style of            particularly unusual for those in
      teaching Yuza Sashiko has been an influence               creative small businesses. You have to try
      on the way I think about sashiko and teaching. I  and achieve a good balance.
      love the way Yoko Saito uses yarn-dyed fabrics
      in her designs and have been influenced by her
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