Page 79 - The Digital Cloth Holiday issue 2
P. 79

Put your feed dogs down, attach an                    I was in a position where I needed to make
      embroidery foot and the rest is up to you!  my sewing pay its way, so making and
      It quickly became apparent to me that                 selling cushion covers seemed like a good

      free motion machine embroidery was the  option at that time. The cushions were a
      medium I’d had been searching for: that               great starting point for me but the
      thread could create tonal complexity,                 complexity of my designs, and the fragile
      texture and depth, and allow me a way                 nature of the stitching, meant that having
      into painting - I realised that I could draw  them as cushions was rather unpractical.
      and paint with thread! Over a decade                  For a start people couldn’t wash or sit on
      later, I’ve become totally and irretrievably  them without damaging them. A friend of
      absorbed by stitching, as well as being               mine who I made a cover for decided she
      constantly covered in bits of thread.                 wanted to frame it and it was then that I felt
      I should also say, though, that my mother  I could make the change to creating pieces
      worked as an illustrator when I was                   of art that I could frame and put on the wall.

      growing up (she later went on to become  My confidence grew as soon as I began to
      a successful playwright) and so I was                 frame my pieces and a couple of years
      surrounded by her work and watching her  after that I had the good fortune to find an
      create beautiful illustrations had a huge             incredible framer, Jamie McAteer at Detail
      effect on me for sure. She also worked on  Framing in Edinburgh, who continues to
      a really quite Avant Garde series of hand             work tirelessly with me to make my pieces
      embroideries for a period and, although
      as a child and a teenager I wasn’t in the
      least interested in embroidery, I’m sure

      that her amazing work must have nestled
      in my brain somewhere, just waiting to
      pop out as an influence, when I was ready,
      further down the road.
      My style is always evolving and I feel I
      learn something new and develop my
      language with every new piece I make.
      I’ve put in thousands of hours of practice
      over the past 10 years (and completely
      wore out my first sewing machine after
      the first 7 years!) As with anything,
      practice makes perfect and although

      perfection is not possible, nor something
      I strive for, I’m amazed when I look back
      at how my technique has improved, and
      evolved, over the years.
      About a year after I began the degree, I
      became a single parent so unfortunately,
      I wasn’t able to continue at college but I’d
      already found my direction so that was

      ok. At first, I made cushion covers, using
      my forest designs which were much more
      illustrative then my work is now.
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