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MILICA BEZMAREVIC
STEVAN The historically confirmed view of the heterogeneity of styles in
Yugoslav sculpture in the second half of the 20'h century was primarily brought

LUKETIĆ about by the plurality of ideas among the younger gnerations of sculptors,
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LIBERATED
who generally expressed a strong need for a freer and bolder artistic approach,
simultaneously striving to break away from the short-lived but powerful
FORMS
influence of socialist realism. In the 1950s and the 1960s, Yugoslav art was
marked by the emergence of strong art movements, such as Art Informel,
and the impulses of different artistic groupings such as the New Tendencies,
Gorgona Group, or Fluxus. These groups brought together individual artists
characterized by very distinctive artistic expressions, whose co-existence on
the common art scene of the period contributed to a decisive departure from
the formerly established models of art practice and to an increasing openness
to the new trends in western art. The most prominent among them received
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their education after the Second World War; therefore, their formation as
artists was based upon the experiences of our sculptural tradition. Educated in
the spirit ofstrict sculptural principles, they felt a burning desire for something
new and different and were engaged in the arrisric pursuit of it, which in itself
required an entirely new approach to sculpture, both irt terms of its content
and its fortn, It was thanks to the bold endeavours of a whole generation
of young artists that a new chapter in the Yugoslav postwar sculpture was
opened: endeavours to go against the sculptural poetics which characterized
the first half of the 20th century, exploring new expressive potentials of the
materials (primarily metal: steel, iron, tin), technical procedures and many
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LLS LXXXVIII/88, 1988, detalj www.flipbuilder.com
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other means of expression, which at the same time marked the "beginning of
the development of metal sculpture in our region" (V. H. Pintarić). The use
of rnetal and its processing, prirnarily welding, opened up the possibility of
breaking free from the predefined conceptual schemes and surprised people
in the revelations of what such material itself offered in terms of its structure,
volu.me and surface.
Stevan Luketič
Skulptura
Following the latest trends in sculpture, Stevan Luketić found himself
Sculpture among the most prominent actors in the dynamic transformation of Yugoslav
LLS LXKXVIII/88, 1988, cletail sculpture (such as V. Bakić, D, Džamonja, I. Kožarić and others). At the time
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of his graduation from the Art Academy in Zagreb in 1955 under Professor
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kombinovani metali, pasra, boja
cornbined metals, paste, colour
Frano Kršinić, the door had already opened to the avant-garde trends which
149 x 90x24,5 cm
he soon joined. The more and more obvious signs of departure from the
vlasnikvo I ownetship:
"figurative" heritage from his university education are noticed in some of his
Eleonora i Stefan Luketi.
105

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