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“Clearing the mind and sliding in
             To that created space,
         a web of waters streaming over rocks,
         air misty but not raining,
             seeing this land from a boat on a lake
             or a broad slow river,
             coasting by,
         …”
                      ------ Endless Streams

                               and Mountains




















         Slowly turning to the page of the first poem of Gary
         Snyder’s Mountains and Rivers Without End, I
         naturally dive into the book with the magical poetic
         lines. I follow the poet and slide into that tranquil
         space: the misty air and the humid soil, the
         streaming rivers, the vague hillside and the big
         clear ranges … All of a sudden, I feel like standing
         on a boat surrounded by mysterious, magnificent
         Chinese landscape.

         Chinese landscape painting is believed to be the
         “aspect of the Chinese imagination which has had
         the longest influence on Snyder’s poetry”
         according to Dan McLeod, author of “Some Image
         of China in the Works of Gary Snyder.” The
         aesthetics and philosophy behind Chinese
         landscape painting has profoundly influence on
         Snyder’s life and work since he was a little kid, and
         his realization and understanding has been
         growing deeper throughout his whole life.
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