Page 8 - Fifty-fifty July 2021
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The people of Indonesia believed that the soul of a human can
             only feel at home if the body is completed by decorations on the
             skin. Therefore, the so-called Titi spiral markings were (Rajah)
             tattooed on hands, forearms and lower legs at a certain age. In
             addition, men often received a sinuous chest shield reaching as
             far up as the cheeks. The tattoo equipment was a wooden
             sledge and a grip made from deer horn with a brass needle. A
             petroleum grime [soot] containing colour was spread on the
             brass needle and the pattern, which was first drawn on the
             particular body part, was tattooed into the skin. The skin art                   The
             survived the colonization of Indonesia by the Europeans after
             their discovery of the sea route to India in 1498.
                                                                                   Tattoo
             Only on a few islands is the tradition of body art still maintained.
             Especially the islands of Borneo [Kalimantan], Mentawai, Nias,
             Lesser Sunda (Nusa Tenggara), Sulawesi, Flores, Sumba, Roti,
             Papua and Bali have kept up the tradition of the Rajah (tattoo)    Culture
             as an independent and world-wide recognized art form.
                                                                                                     in
             Indonesia provides one of the best examples of traditional
             tattoos in history and of their journey through Asian countries.
             The Indonesian islands that have the most eminent ancient
             historical and traditional tattoos are from the Dayak tribe and the  Indonesia
             Mentawai tribe.

             The Dayak
             The Dayak tribes live inside the inland of Kalimantan. For the
             Dayak tribe, a tattoo is a sacred thing. Tattoo for them is a mark to
             their god to identify them so they can go to heaven. Each tattoo
             design has a meaning based on the person’s experience and their
             life journey. Not every Dayak person has a tattoo, and each
             person may not have the same tattoo designs.

             Tattoo in the Dayak language is ‘tutang’. Every motif has a
             different meaning. The placement can’t be put on carelessly
             either. In their belief, the black coloured tattoo will turn into gold
             and be considered as the path to eternity after they have died. The
             tattoo design in this tribe also has meaning to protect them from
             bad spirits, or as a mark that they pass the test of ‘kinyah’, the
             traditional martial arts of the Dayak. To women, the tattoo is a
             mark that they ready to marry.

             The traditional tattoo motifs usually come from animals and plants.
             The nobleman of the tribe usually has the hornbill bird to represent
             the heaven, spiral motif of frogs, rosette of Borneo flower, and tree
             branches and others. The characteristic of Dayak tattoo design is
             blocking.

             The Mentawai
             Tattoo on Mentawai tribe language is ‘Titi’. The tattoo artist called
             ‘Sipatiti’. To the Mentawai tribe, the tattoo is a symbol of natural
             balance and beauty. Tattoo to them is also their expression of art.
             The motif on Mentawai tribe is adjusted depending on the social
             status or the person’s profession. The characteristic of Mentawai
             tattoo design is the line. Can you give an illustration of the line?
             Both Mentawai and Dayak tribes usually have rituals before the
             tattoo session.

             From:
             https://www.flickr.com/groups/indonesiantattootribes/discuss/72157610466784434/
             https://capbagongtatu.com/the-journey-and-history-of-traditional-tattoo-in-indonesia/




             FIFTYFIFTY | ISSUE 17                                                                             8
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