Page 495 - [1library.co] l la era de las maquinas espirituales kurzweil

Ringle, Martin D., ed., Philosophical Perspectives in ArtIficial Intelligence,
Rich, Elaine y Kevin Knight, ArtIficial Intelligence, 2: ed., McGraw-Hill,
El'llshaw, ct!s., Compu/a Crapbic.,' Techniquc.l': The Autobiography 01 Bertrand Russell: 1872-1914, Bantam Books, To· Simon and Schuster, Nueva York, Philosophy, Macmillan, York, Nueva and Logic, Doubleday Anchor Books, Nueva York, 1957. 493

Harvester Press, Brighton, Sussex, 1979. Roads, Curtís, ed., Composers and the Computer, William Kaufmann, Los _, ed., The Music Machine: Selected Readings Irom «Computer Music Jour- nal», MIT Press, Cambridge, MA, 1988. Roads, Cunis y John Strawn, Foundations 01 Computer Music, MIT Press, Robin, Harry y Daniel J. Kevles, The Scientific Image: From Cave to Com- puter, Harry N. Abrams, Nueva York, 1992. Rock, Irvin

Nueva York, 1991. Altos, CA, 1985. Cambridge, MA, 1989. Rogers, DaviJ F. Company, Boston, 1987. Unwin, Londres, 1985. ronto, 1967. ronto, 1%8. History 01 Western _, A 1945. _, Introduction 1919. ~,MY.lticúm

Pratt, Vernon, Thinking Machines: The Evolution 01 ArtIficial Intelligence,
c., Science History Public- McGraw-Hill, York, Nueva Syntax: Student's A to Guide University Cambridge Press, MIT Press, Cambridge, Computers: Papers, Selected Subserving Networks», Neural en Prediction, and Penguin Books,

Basil Blackwell, Nueva York, 1987. Pratt, William K., Digital Image Processing, John Wiley and Sons, Nueva York,1978. Price, Derek J. de Solla, Gears Irom the Greeks: The Antikythera Mechan· ism-A Calendar Computer Irom Circa 80 B. ations, Nueva York, 1975. t Prigogbe, I1ya, The End 01 Certain/y: Time's Flow and the Laws 01 Nature, Simon and Schuster, Nueva York, 1997. Melvin Prueitt, Art and the