Page 48 - The Apu Trilogy_ Satyajit Ray and the Making of an Epic
P. 48

Apu in Fiction and Film              35

                Harihar lies dying of pneumonia, Nanda Babu will make a pass
                at Sarbajaya.
                   Harihar’s death leaves his widow with no choice but to take
                a job. Sarbajaya works as a cook for a rich Bengali Brahmin
                family in Benares, whilst Apu plucks the grey hairs of the head
                of the household and does other odd jobs around the house in
                exchange for a few paise. The situation is a dead end for both
                mother and son, and she knows it. When an older relative of
                hers, Bhabataran, invites Sarbajaya and Apu to settle in his vil-
                lage in Bengal, she soon accepts and leaves the city.
                   Apu spends the next five or six years of his life in this new
                village. His elders expect him to follow tradition and become a
                priest like his father. But it is the crowd of boys from the local
                school who really appeal to Apu. He wins over his mother by
                agreeing to carry out his religious duties too and proves himself a
                star pupil at school, with a penchant for science. Years of reading
                and enquiry pass, and we see an older Apu with the beginnings
                of a moustache standing bashfully before the headmaster again,
                accepting a scholarship to study science in distant Calcutta. Only
                his mother stands in the way; her health is beginning to fail and,
                anyway, she feels Apu should be a priest. They quarrel and she
                slaps him; then, consumed with remorse, she agrees to let him
                go and to pay his way in the big city.
                   The rest of Aparajito is a deeply experienced clash between
                mother and son, and between incompatible beliefs. In Calcutta,
                studying during the day and earning his keep at night in a print-
                ing press, Apu grows distant – mentally as well as physically –
                from Sarbajaya, whilst she, in the village, as inexorably declines
                into morbid depression. On a night sparkling with evanescent
                fireflies, her life leaves her. Apu returns to the village too late.
                After weeping bitterly, he finds the strength of mind to reject
                the shade of his father’s life and retrace his steps to make a new
                life in Calcutta. He will definitely not become a priest, though
                it is not yet clear where his talents will lead him.










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