Page 9 - The Apu Trilogy_ Satyajit Ray and the Making of an Epic

viii The Apu Trilogy

16 Ray on location in Boral near Calcutta, during the
making of Pather Panchali (Bansi Chandragupta) 66
17 Ray on location on the ghats of Benares, 1956,
while shooting Aparajito with actor
Pinaki Sen Gupta (Bansi Chandragupta) 73
18–20 Ray on location at a railway station in Calcutta,
1956, while shooting Aparajito, with actor
Smaran Ghosal and cameraman Subrata Mitra
(Marc Riboud) 76
21 Sketch by Ray for a documentary film about
Ravi Shankar, 1951, which was never made
(Satyajit Ray Society) 82
22 Shankar, with Ray, recording music for Aparajito
in Calcutta, 1956 (Bansi Chandragupta) 87
23–24 Pather Panchali: little Durga; Indir Thakrun and
Durga 94
25–26 Pather Panchali: Apu is made ready for his first
day at school by Sarbajaya and Durga;
the grocer–schoolmaster Prasanna 98
27–28 Pather Panchali: Durga; Apu dresses up as a
prince 101
29–30 Pather Panchali: Sarbajaya rejects Indir 104
31–32 Pather Panchali: Harihar collapses over
Sarbajaya; village elders visit Harihar 106
33–34 Aparajito: Apu in Benares 112
35 Aparajito: Harihar collapses at the ghat 115
36 Aparajito: Apu and Nanda Babu 116
37–38 Aparajito: Sarbajaya, Apu and Harihar, just
before he dies; Apu plucks grey hairs 118
39–42 Aparajito: Apu and education. Apu with his
mother Sarbajaya; and with his headmaster 122
43 Aparajito: Sarbajaya and neighbour, not long
before Sarbajaya’s death 125
44 The World of Apu: Apu in his garret 128

9/16/2010 9:09:43 PM
Robinson_Prelims.indd viii
Robinson_Prelims.indd viii 9/16/2010 9:09:43 PM