Page 10 - ISSUE 21
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PAGE 10                                                                                                        ROCKNATION ISSUE 21




















































                                                                                                    Interview by

                                                                                                    Tom Mathers










     Rocknation: Hello Brian Vollmer of Helix. and welcome to              lack of trying) Sean and I wrote Vagabond Bones in
     Rocknation. Your band will be releasing a CD called                   literally 10-15 hours!  Ditto for this CD.  Now, by writing
     “Bastard Of The Blues” on Perris Records. Please tell us              the songs I really mean that we came up with the skeleton
     how the recording is comming and what to expect from                  of the song;  the whole process from start to end is an
     this release.                                                         evolving process. First we write the song on an acoustic
     Brian: We started recording this week (Mar. 4th & 5th)                guitar in Sean’s living room and then we send ideas back
     although we’ve been going through the “demo” process                  and forth through email.  By the time we meet again we
     for over a month now.  This CD has turned out to be a                 fine tune the song some more until we think it’s ready for
     reflection of the title track “Bastard of the Blues”.  What           Daryl and Fritz to learn the beds.  Then we go to the stu-
     that means is this: That metal (at least when it comes to             dio with Aaron Murray our producer and hash it out even
     Helix) is the product of rock n’ roll breeding with blues.            more.  We like to call it “Helix-sizing” the song. LOL.  Then
     LOL.  The songs are have an R&B feel with a metal tinge.              Aaron plays around with the rough recording on pro-tools
     Rocknation: You wrote many of your hits with Paul                     and sends out the demos to all of us to listen to, just in
     Hackman, how different is it working with your new writing            case we hear any last changes or fix-it’s we’d like to do.
     partner Sean Kelly?                                                   Lastly, we go into the studio and record the bed tracks
     Brian: Up to 1991 I wrote primarily with Paul Hackman.                (bass/drums/rhythm guitar) and that’s the “foundation” to
     When Paul died I went searching for other writers: Marc               build the rest of the song on.
     Ribbler ( with whom I wrote Good to the Last Drop and                 Rocknation: I had the pleasure to see you at Sweden Rock
     That Day is Gonna Come), Tony Paleschi & Bill Gadd (two               festival a few years ago. Please tell us about your future
     friends from my weekend cover band 7 Year Itch) Gord                  Europe tour.
     Prior and Steve Georgakopoulos, (The Power of Rock and                Brian: Whereas  I had all sorts or “rental players” when
     Roll) and then finally Sean Kelly.  In many ways,  Sean is a          we played Sweden Rock Festival back in the mid 90’s, this
     lot like Paul-very creative, a great guitar player.  The              time around  I have Daryl and Fritz back in the band along
     difference is in the speed at which we write.  Whereas Paul           with Kaleb Duck (handpicked to join the band in 2008 by
     and I would go months without writing anything (not for               Brent Doerner himself) and newcomer Chris Julke. Chris
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