Page 109 - YBAM 50th Anniversary Souvenir Magazine
P. 109

Kaw Him from Muar,  Johor compiled   together with Venerable,  among the   by Taiwan and local folk songs, and the   and viable in the 90s. During this period,
 hundreds  over  hymns into a publication   songs they  composed together included   overall style is similar to  the local pop   some of the notable albums were ‘Hui
 called ‘Meditation Music Collection’. It   ‘The Enthusiasm of Buddhist Youth’ which   music.  Deng’ and ‘Deng’ published by Tan Huat

 was widely spread among the Buddhist   is the anthem of the  Taiping  Buddhist   Chye and Sunyata Singers, ‘Give Me Life,
 community  and was regarded  as the   Society  Youth Circle. It  was said that   The above-mentioned  albums received   Give Me Love’ produced by YBAM Johor
 ‘textbook’ for group singing. At that time,   Taiping Buddhist Society still retain some   overwhelming  support from Buddhist   State Liaison Committee, ‘Chan  Deng’
 many hymns originated from Taiwan, for   of  the  original hand-written composition   organisations  nationwide,  especially  produced  by Venerable  Chi Chern and

 example ‘Prayer’  and ‘Inspiration from   notes of Khoo Poh Kong.  those involved in youth activities. Songs   Chow Kam Leong, and ‘Auspicious Night’
 Avalokitesvara’ by Venerable  Master   from these albums were used in almost   and ‘Auspicious’ published by Buddha’s
 Hsing Yun.  The late 70s saw the rise of songs   all the Buddhist youth camps organised at   Light International Association (Malaysia
 composed by youth.  Until the 80s, they   that time. Apart from that, ‘Yi Zhan Deng’   Chapter).

 Besides,  ‘May Buddha Bless  You’   had already  accumulated  wealth of   was so popular locally  that it was even
 composed by Kim Nain Hye who stationed   experience. Songs such as ‘The Rhythm   sold in Taiwan.   However, just before the end of the 90s,
 and propagated Dharma in Melaka, is also   of Life’, ‘Brightness’, ‘The Ancient Temple’,   the development of local Buddhist hymns
 one of the top hits for group-singing hymns.   and ‘Yi Zhan Deng’ were composed by   In  the late 70s Venerable  Chi Chern   underwent  another transformation and

 In view of the increasing number of choirs   Pusat Buddhisma Kemanusiaan Melaka,   started writing song lyrics with Khoo Poh   evolution!
 from various Buddhist  organisations,   Kelantan  Buddhist Association  Youth   Kong, and Chow Kam Leong composed
 Malaysian Buddhist  Association started   Section, Kuching Buddhist Fellowship, and   the music. During the 80s, the Buddhist   In  1999,  the  first  ever  Buddhist  musical
 organising  Buddhist choirs competition   Tan Huat Chye respectively.  Publication   hymns that  they composed were widely   theatre ‘Siddhartha  The Musical’ was

 in the 80s which  further stimulated  the   of these albums not only marked a new   sang and spread orally by the Buddhist   produced  by the Musical On Stage
 development of Buddhist hymns.  milestone for the development  of  local   organisations. Some of the most popular   Productions with Ho Lin Huay as the
 Buddhist hymns, but it also gave a   hymns were ‘Illumination of Wisdom’   director and Imee Ooi as the music
 At the same time, Khoo Poh Kong from   new lease of  life to  the development  of   and ‘Chan Deng Series’.   The lyrics by   composer  and producer.  The musical

 Taiping  was greatly inspired  by the   Buddhism in an unprecedented manner.  Venerable Chi Chern brought a breath of   theatre won a large round of plaudits.
 Buddhist hymns composed by Venerable   fresh air to the development of Buddhist
 Master Hsing  Yun. Hence, he started   Buddhist  hymns composed  in the 80s   hymns whereby he managed to incorporate   Due to the wonderful  remarks on
 composing  Buddhist hymns which were   possess a few unique features:  Dharma delicately into wonderful  lyrics.   ‘Siddhartha  The Musical’,  Musical On

 sang in Dharma classes and youth   1) Use Music Instrument Digital Interface   Coupled  with the symphonious  melody   Stage Productions continued to produce
 groups. His style was to  write the lyrics   (MIDI) in song compositions with electric   from Chow  Kam Leong,  the songs   more musical theatres, for example
 and compose the music by himself. He   drum as the main instrument.  produced were melodious  and rich in   ‘Above Full Moon The Musical’ produced
 also emulated the  composition style of   2) Music tempo was rather slow and   positive messages.  At that time, these   in 2004,  ‘The Perfect Circle The Musical’

 Venerable  Hong  Yi by including some   melodic to bring out the solemn nature of   songs  were  frequently  performed  in   produced in 2005, and ‘Princess Wen
 of  the musical notes from  the Western   Buddhism and applied  marching  rhythm   Buddhist camps and activities.  Cheng The Musical’ produced in 2008.
 traditional songs as well as filling in lyrics   to express excited feeling. The essential
 based on Buddhist teachings. Later,   element  of the melody  was the tempo   With the experiences  gathered during   Bodhi  Buddhist  Fellowship  Malaysia

 Venerable Chi Chern began to  write   smoothness.  the 80s, the publication  of Buddhist   organised  a refreshing ‘Praise the
 lyrics and Khoo Poh Kong also worked   3)  Song  composition  was  influenced   hymns  albums became  more  common   Tathagatas’ Buddhist Hymns Concert in
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                     50 YEARS OF DHARMA PRO PA GATION     CO NTINUING THE MIS SION IN THE 5G ER A
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