Page 114 - Fingerprints of the Gods by Graham Hancock
P. 114

Graham Hancock – FINGERPRINTS OF THE GODS



                   and ‘spears or arrows and incense bags’ in the left hands.  It didn’t seem
                                                                                       18
                   to matter that the objects did not in any way resemble  atl-atls,  spears,
                   arrows, or incense bags.
                     Santha Faiia’s photographs will help the reader to form his or her own
                   impression of these peculiar objects. As I studied the objects themselves I
                   had the distinct sense that they were meant to represent devices which
                   had originally been made out of metal. The right-hand device, which
                   seemed to emerge from a sheath or hand-guard, was lozenge-shaped
                   with a curved lower edge. The left-hand device could have been an
                   instrument or weapon of some kind.
                     I remembered legends which related that the gods of ancient Mexico
                   had armed themselves with xiuhcoatl, ‘fire serpents’.  These apparently
                                                                                   19
                   emitted burning rays capable of  piercing and dismembering human
                   bodies.  Was it ‘fire serpents’ that the Tula idols were holding? What, for
                            20
                   that matter, were fire serpents?
                     Whatever they were, both devices looked like pieces of technology. And
                   both in certain ways resembled the  equally mysterious objects in the
                   hands of the idols in the Kalasasaya at Tiahuanaco.



                   Serpent Sanctuary

                   Santha and I had come to Tula/Tollan because it had been closely
                   associated both with Quetzalcoatl and with his arch-enemy Tezcatilpoca,
                   the Smoking Mirror.  Ever-young, omnipotent, omnipresent and
                                              21
                   omniscient, Tezcatilpoca was associated in the legends with night,
                   darkness and the sacred jaguar.  He was ‘invisible and implacable,
                                                            22
                   appearing to men sometimes as a flying shadow, sometimes as  a
                   dreadful monster’.  Often depicted as a glaring skull, he was said to have
                                         23
                   been the owner of a mysterious object, the Smoking Mirror after which he
                   was named, which he made use of to observe from afar the activities of
                   men and gods. Scholars quite reasonably suppose that it must have been
                   a primitive obsidian scrying stone: ‘Obsidian had an especial sanctity for
                   the Mexicans, as it provided the sacrificial knives employed by the priests
                   ... Bernal Diaz [Spanish chronicler] states that they called this stone
                   “Tezcat”. From it mirrors were also manufactured as divinatory media to
                   be used by wizards.’
                                           24
                     Representing the forces of darkness and rapacious evil, Tezcatilpoca
                   was said in the legends to have  been locked in a conflict with

                   18  Mexico, pp. 194-5.
                   19  The Gods and Symbols of Ancient Mexico and the Maya, pp. 185, 188-9.
                   20  Ibid.
                   21  New Larousse Encyclopaedia of Mythology, p. 437.
                     The Feathered Serpent and the Cross, pp. 52-3.
                   22
                   23  New Larousse Encyclopaedia of Mythology, p. 436.
                   24  The Magic and Mysteries of Mexico, p. 51.


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