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3.   S.N. Sivanandam, S. Sumathi, S. N. Deepa, Introduction to Fuzzy Logic using MATLAB, (1e),  Springer-Verlag Berlin
                Heidelberg, 2007.
             4.   S.  Rajasekaran,  G.  A.  Vijayalakshmi  Pai,  Neural  Networks,  Fuzzy  Logic,  and  Genetic  Algorithms  :  Synthesis  and
                Applications, (1e), PHI, 2013.
             5.  Samir Roy, Udit Chakraborty, Soft Computing: Neuro-Fuzzy and Genetic Algorithms, (1e), Pearson, 2013.
             6.  Kalyanmoy Deb, Optimization for Engineering Design: Algorithms and Examples, (2e), PHI, 2013.
             7.  Dr. Shailendra Jain, Modeling and Simulation using MATLAB – Simulink, (2e), Wiley, 2015.
             8.  Rajjan Shinghal, Introduction to Fuzzy Logic, (1e), PHI, 2013.

                                                      FASHION DESIGN

         FD2290: FASHION STYLING [3 0 0 3]
         Fashion trends and forecasting. Creative fashion studies. Fashion styling. Fashion Make-over.  Image Styling.
         References:
             1.  Griffiths Danielle, Fashion stylist Handbook, Laurence King Publishing, 2016.
             2.  Fullerton Alexandra, How to Dress: Secret Styling Tips from a Fashion Insider, Pavillion Books, 2018.
             3.  Dingemans Jo., Mastering Fashion Styling, Red Globe, 1999.

         FD3290: FASHION MODELLING AND CHOREOGRAPHY [3 0 0 3]
         Fashion Make Over. Ramp Walk. Choreography for shoot & shows. Basic Make-up. Fashion Photography.
         References:
             1.  Lane R.C., The Model’s Bible, Black & Noble, 2013.
             2.  Pegram Billy., Posing Techniques for Photographing Model Portfolio, Amherst Media, Incorporated, 2008.
             3.  Entwistie  Joanne.,  The  Aesthetic  Economy  of  Fashion:  Markets  and  Values in  Clothing and Modelling,  Bloomsbury,
                Berg, New York, 2009.

         FD3291: ACCESSORY DESIGN  [3 0 0 3]
         Introduction to accessory design (types of accessories in relation to adornment). History of adornment (from inception to
         current transformations). Drawing of basic accessory products. 3D projections of designed products. Basic rendering of
         designed products. Basic fabrication techniques of designed products.
         References:
             1.  Oppi.U., Jewellery Concepts and Technology, New York, Doubleday, 1985.
             2.  MacGrath,J., Encyclopedia of Jewellery Making Techniques, USA ,Running Press Publishers, 1995.
             3.  Jaipur Jewellery Show., Emerald book. Jaipur, Jaipur Jewellery Show, 2006.
             4.  Smith Paul., You can find inspiration in everything, Thames & Hudson, 2001.
             5.  Deam Amy M., Natural Creativity: Exploring & using nature’s raw material to craft simple functional attractive objects,
                1st Edition, Lanham, USA, Mc Evans & Co INC., 1998.
             6.  O’Brien Suzanne., Felt, Fiber & Stone: Creative Jewellery Design & Techniques, Pennsylvania, Schiffer Publishers Ltd.,
                2010.
             7.  Wayne, Chidy., Fashion Illustration: Accessories. Antwerpen, Belgium, Books Publishing, 2010.
             8.  Hart,  Harold.,  Jewellery:  A  pictorial  Archive  of  woodcuts  and  engravings  (picture  archives).  NY,  USA,  Dover
                Publications, 1982.
             9.  MacDonald, Jamie. Jewellery from Recycled Material (Jewellery Handbooks). London UK. A &C Black Publishers Ltd.,
                2009

                                                         FINE ARTS

         AA4201: DISSERTATION [10 0 0 10]
         The topic of dissertation will be related to advertising or visual communication design. The topic should be selected by student
         in consultation with the faculty in charge. The dissertation should be approximately of 5000 words in English. It will be assessed
         by the panel of examiners appointed by the University. Student must make his/her original contribution in thought & approach
         towards the hypothesis using primary and secondary data. Viva-Voce examination: Students will be evaluated in Viva-Voce on
         the basis of Final year's dissertation work. Student must present their own work in both HARD as well as SOFT (Digital) format.
         Constitution of Panel: The panel should be appointed by concerned University and it consists of three members. One from
         Academic  background  (Minimum  Associate  Professor  Level).  One  from  Industrial  /  Professional  Background.  One  internal
         examiner from the concerned Institute, who has guided the student for final year.
         References:

              1.  Doueck Howard,J & Lyons, Peter, The Dissertation, From Beginning to End, USA, Oxford University Press, 2010.
              2.  Wentz  Elizabeth  A.,  How  to  Design,  Write  &  Present  a  successful  Dissertation  Proposal,  California,  USA,  SAGE
                 Publication, INC, 2013.

         AA4202: DESIGN PROJECT [4 0 12 10]
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