Page 15 - TheRedSon_PrintInterior_430pp_5.5x8.5_9-22-2019_v1
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The  first  room  was  meticulously  arranged  with  all
            manner of bones and stolen funerary fetishes, ranging
            from gravestones to whittled bones. A black carpet stitched
            from  funeral  attire  lay  unfurled  across  the  floor,  flowing
            patchwork and dust-covered beyond an archway fashioned
            from sculpted human jawbones. Throughout was scattered
            and heaped the dried remains of lilies.
               This was clearly an echo of the Great Darkness of 1999.
            It was pleasing to imagine the madness that once filled the
            space I now occupied. Of course, imagination was all anyone
            could use to envision that lost year. Even I, a man who was
            no stranger to the bizarre, was left with no memory, nothing
            but the aftermath. I assume that fact also owes to the reach
            of the Deadworld, plucking out the precious memories of
            the only true freedom mankind has ever enjoyed—in this
            life, at least. But the wonderful aftermath, when the world
            woke from nightmare . . . Towers made from teeth, lakes of
            glowing bile, underground theatres of strange intent, houses
            built to the scale of monsters, and on and on. By the gods,
            what a fallout!
               The shack, like the rest of the world, had been visited
            by the secret dream of the human condition—expressed for
            exactly one year and then wiped clean from memory, if not
            matter. For all I knew, the room could have been the product
            of my very own Darkness-fueled hijinks.  Though, to be
            honest, while the theme and its respective execution were
            fine enough, it was hardly the caliber of my own works—
            those created outside of the Darkness.
               The chamber beyond the archway was an improvement,
            however.  It  sported  a  throne  made  from  tumbledown
            tombstones,  and  it  was crowded with  dozens of modeled
            skeletons. Every one of them stood frozen in various
            postures,  but  all  pleaded  with  a  visibly  aloof  Funeral
            King—a skeleton attired in purple robes made from dyed
            rags, crowned with a bone circlet joined by gold and silver-
            flecked teeth, seated upon a throne of cemetery stones.
            18 | Mark Anzalone
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