Page 64 - Australian Wood Review №103 2019
P. 64

DESIGN





                                                                                                          The I-Beam Bench was designed to fill
                                                                                                          the brief from Tasmanian Museum

                                                                                                          and Art Gallery’s need for public seating.
                                                                                                          They asked for a piece that drew on
                                                                                                          the industrial history of the old Bond
                                                                                                          Store building. The shape references

                                                                                                          the ubiquitous steel I-beams, but this
                                                                                                          one is made from eucalypt.


                                                                                                          I wanted to highlight the beauty
                                                                                                          of industrial engineering forms,

                                                                                                          elevate Tasmanian oak from a
                                                                                                          structural timber very rarely used in
                                                                                                          fine furniture and at the same time
                                                                                                          provide robust seating which could

                                                                                                          withstand the wear and tear of high
                                                                                                          volume use.


                                                                                                          To emphasise the shape, I painted
                                                                                                          the endgrain with a bright blue
                                                                                                          signwriters paint which is the colour

                                                                                                          of the graffiti painted on the walls
                                                                                                          from the early 1800s. There were
                                                                                                          about 50 benches in total for that
                                                                                                          job as well as another version for the

                                                                                                          other museum buildings.


                                                                                                          The bar tables and benches I designed
                                                                                                          for MONA are another design that
                                                                                                          went on to have a life beyond the

                                                                                                          original commission, in domestic
                                                                                                          and residential as well as corporate
                                                                                                          settings such as the courtyard at
                                                                                                          Design Tasmania.


                                                                                                          3. Rinse and repeat

                                                                                                          Repetition. Repetition is practice,
                                                                                                          practice makes (closer to) perfect.
                                                                                                          You make money on the repeats

                                                                                                          and that repays you for the original
                                                                                                          investments into your research and
                                                                                                          development, but more importantly,
                                                                                                          repetition is where you adjust

                                                                                                          and refine.


                                                                                                          While we don’t do production pieces
                                                                                                          per se, our pieces do evolve over
                                                                                                          time as we repeat designs and adjust

                                                                                                          forms to suit different client needs.
                                                                                                          Each time we make a version, our
                                                                                                          fabrication process improves.
                                        Top: The Cheese Trolley for The Source restaurant at MONA
                                        had a detailed brief as the cheese has to be kept moist but not
                                        damp. It had to have just the right amount of ventilation, have   The first Frank’s Table was small and
                                        a waterproof drip tray to collect condensation, drawers for
                                        cutlery and plates as well as full extension cutting boards. Food   made for a tiny converted barn in
                                        grade functionality was essential and aesthetics no less so.      Hobart and used one of the original
                                        Photo by Rosie Hastie
                                                                                                          beams as the top. We’ve made
                                        Above: Rinse and repeat: Repetition is practice and practice      numerous versions of this table, and
                                        makes (closer to) perfect.’



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