Page 85 - Australian Wood Review №103 2019
P. 85

EXHIBITIONS





                                                               Left: Alumni 2 installation at Sturt Gallery, Mittagong. Clockwise from front
                                                               left: Ian Factor, Legato Chair, American oak; Isabel Avendano, bowls in jelutong;
                                                               Grant Robertson, light (LED) in American ash and acrylic; Darren Oates, Chaise
                                                               Lounge, Callophylum, leather; Elise Cameron-Smith, Lady (white beech), New
                                                               Love (Huon pine), Dancer (white beech); Ruth Thompson, Gene and Leslie
                                                               Lamps, American walnut, ebony, rice paper, LED lights; Daryl Ingate, Narrative
                                                               Cabinet, American white oak, Tasmanian oak, ebony.
                                                               Centre, clockwise from rear: Adrian Spano, Drinks Cabinet, American walnut,
                                                               brass; Steve Harper, Nautilus Table, American rock maple, silky oak, resin;
                                                               Bailey Farmer, Coffee Table, fumed oak.

                                                               Photo: Sturt School for Wood


































































                                                                                                   Above: Christopher Neal, Acton Tables,
                                                                                                   Tasmanian blackwood
                                                                                                   ‘These were originally designed for my sister who wanted
                                                                                                   a set of versatile tables that could nest beneath each other
                                                                                                   but also work in other configurations. She wanted a clean
                                                                                                   minimal look with no sharp corners – young children! The
                                                                                                   legs each had their inside angles cut before being glued
                                                                                                   together and turned on the lathe as one in order to give a
                                                                                                   uniform outer radius. They were then separated and joined
                                                                                                   by simple rails. For the exhibition the shaping, detailing and
                                                                                                   dimensions were all refined in the tables shown.’
                                                                                                   Photo: Christopher Neal    www.christopherneal.com.au



                                                                                                   Left: Orest Danylak, Stool, American walnut, cast bronze
                                                                                                   ‘Not many people will ever look at an object beyond its
                                                                                                   functional purpose. Beneath the traditional joinery of this
                                                                                                   stool is a beautiful bracket. This intricate structure was
                                                                                                   first 3D printed in plastic and then dipped many times
                                                                                                   into a clay slurry until a thick layer was formed. The clay
                                                                                                   was then fired at a temperature high enough to vapourise
                                                                                                   the plastic 3D print, which then create a cavity for molten
                                                                                                   bronze to be poured into. The bracket was then polished
                                                                                                   and fitted. I wanted to design a piece whose beauty
                                                                                                   would have to be discovered.’
                                                                                                   Photo: Sturt School For Wood    www.studiodanylak.com



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