Page 20 - BHUTAN 2007
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always  covered  in  white  stucco.  No  paintings  adorn  their  exterior  walls.
            Inside the religious portion of the dzong there is always a temple that can

            only be entered barefoot. Local citizens, both male and female, must also

            add a shawl (for men) or a wide ribbon (for women) to their official costume

            in order to go inside the temple. There is always a complex altar, sometimes

            with  representations  of  the  Buddha  in  one  or  more  of  his  many
            incarnations, or of a local divinity, or of the bringers of Buddhism to Bhutan,

            as well as of important saints and lamas. There are always candles, flowers,

            and water vessels adorning these altars. Most of the dzongs also contain a

            monastery with a school for the education of young people who wish to be

            monks.  Housing  for  the  monks  and  the  students  is  also  within  the  dzong
            compound.  In  the  past,  this  monastery  education  was  the  only  formal

            course  of  study  open  to  young  Bhutanese  boys.  Here  they  learned  to

            translate  the  Sanskrit  gospels  and  writings  of  the  many  religious  figures

            important in Bhutanese life. They were taught the rituals, dances, prayers,

            and  chants  through  which  their  devotion  to  Buddhist  principles  are
            demonstrated.  Even  today,  some  youngsters  are  placed  in  these  schools

            rather than the free public schools and they learn much the same things as

            their ancestors. Kelzang lamented the fact that the monastery education did

            not prepare the students for life outside the monastery community if they

            chose to leave on reaching age 18.


            We visited so many dzongs and temples that they all began to blend in our
            memories because there is certainly a great similarity among them. Some

            have been more newly refurbished, some are more ancient and show their

            great  age,  some  sit  in  the  valley  towns,  others  follow  the  twisting

            topography of a mountain ridge, one even floats on the point where two
                                                                                                              th
            mighty rivers join in a tumultuous confluence. The dzongs date from the 14

            century but temples can originate from as long ago as the 7th century. But
            since dzong and temple visiting is best “reported” in photography, I will not
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