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whose taste for the fine arts develops independently of their
         sensuality, a grotesque disparity had existed between the
         satisfactions which he would accord to either taste simulta-
         neously; yielding to the seduction of works of art which grew
         more and more subtle as the women in whose company he
         enjoyed them grew more illiterate and common, he would
         take a little servant-girl to a screened box in a theatre where
         there was some decadent piece which he had wished to see
         performed, or to an exhibition of impressionist painting,
         with the conviction, moreover, that an educated, ‘society’
         woman would have understood them no better, but would
         not have managed to keep quiet about them so prettily. But,
         now that he was in love with Odette, all this was changed;
         to share her sympathies, to strive to be one with her in spirit
         was a task so attractive that he tried to find satisfaction in
         the things that she liked, and did find a pleasure, not only
         in copying her habits but in adopting her opinions, which
         was  all  the  deeper  because,  as  those  habits  and  opinions
         sprang from no roots in her intelligence, they suggested to
         him nothing except that love, for the sake of which he had
         preferred them to his own. If he went again to Serge Panine,
         if he looked out for opportunities of going to watch Olivier
         Métra conducting, it was for the pleasure of being initiated
         into every one of the ideas in Odette’s mind, of feeling that
         he had an equal share in all her tastes. This charm of draw-
         ing him closer to her, which her favourite plays and pictures
         and places possessed, struck him as being more mysteri-
         ous than the intrinsic charm of more beautiful things and
         places, which appealed to him by their beauty, but with-

         382                                     Swann’s Way
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