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vre school of painting speak to him of some rare or eminent
         artist, ‘I’d a hundred times rather,’ he would reply, ‘have the
         Verdurins.’ And, with a solemnity of diction which was new
         in him: ‘They are magnanimous creatures, and magnanim-
         ity is, after all, the one thing that matters, the one thing that
         gives us distinction here on earth. Look you, there are only
         two classes of men, the magnanimous, and the rest; and I
         have reached an age when one has to take sides, to decide
         once and for all whom one is going to like and dislike, to
         stick to the people one likes, and, to make up for the time
         one has wasted with the others, never to leave them again
         as long as one lives. Very well!’ he went on, with the slight
         emotion which a man feels when, even without being fully
         aware of what he is doing, he says something, not because it
         is true but because he enjoys saying it, and listens to his own
         voice uttering the words as though they came from some
         one else, ‘The die is now cast; I have elected to love none but
         magnanimous souls, and to live only in an atmosphere of
         magnanimity. You ask me whether Mme. Verdurin is really
         intelligent. I can assure you that she has given me proofs of a
         nobility of heart, of a loftiness of soul, to which no one could
         possibly attain—how could they?—without a corresponding
         loftiness of mind. Without question, she has a profound un-
         derstanding of art. But it is not, perhaps, in that that she is
         most admirable; every little action, ingeniously, exquisitely
         kind, which she has performed for my sake, every friendly
         attention, simple little things, quite domestic and yet quite
         sublime,  reveal  a  more  profound  comprehension  of  exis-
         tence than all your textbooks of philosophy.’

         386                                     Swann’s Way
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