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ejaculations of delight of which the visitors to Gardencourt
were so frequently lavish. This young lady indeed, to do
her justice, was but little addicted to the use of convention-
al terms; there was something earnest and inventive in her
tone, which at times, in its strained deliberation, suggested
a person of high culture speaking a foreign language. Ralph
Touchett subsequently learned that she had at one time of-
ficiated as art-critic to a journal of the other world; but she
appeared, in spite of this fact, to carry in her pocket none of
the small change of admiration. Suddenly, just after he had
called her attention to a charming Constable, she turned and
looked at him as if he himself had been a picture.
‘Do you always spend your time like this?’ she demand-
ed.
‘I seldom spend it so agreeably.’
‘Well, you know what I mean—without any regular oc-
cupation.’
‘Ah,’ said Ralph, ‘I’m the idlest man living.’
Miss Stackpole directed her gaze to the Constable again,
and Ralph bespoke her attention for a small Lancret hang-
ing near it, which represented a gentleman in a pink doublet
and hose and a ruff, leaning against the pedestal of the statue
of a nymph in a garden and playing the guitar to two ladies
seated on the grass. ‘That’s my ideal of a regular occupation,’
he said.
Miss Stackpole turned to him again, and, though her eyes
had rested upon the picture, he saw she had missed the sub-
ject. She was thinking of something much more serious. ‘I
don’t see how you can reconcile it to your conscience.’
124 The Portrait of a Lady