Page 47 - the-portrait-of-a-lady
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number of those whose hearts, as they approached her, beat
         only just fast enough to remind them they had heads as well,
         had kept her unacquainted with the supreme discipline of
         her sex and age. She had had everything a girl could have:
         kindness, admiration, bonbons, bouquets, the sense of ex-
         clusion from none of the privileges of the world she lived in,
         abundant opportunity for dancing, plenty of new dresses,
         the London Spectator, the latest publications, the music of
         Gounod, the poetry of Browning, the prose of George El-
         iot.
            These things now, as memory played over them, resolved
         themselves into a multitude of scenes and figures. Forgotten
         things came back to her; many others, which she had lately
         thought of great moment, dropped out of sight. The result
         was kaleidoscopic, but the movement of the instrument was
         checked at last by the servant’s coming in with the name
         of  a  gentleman.  The  name  of  the  gentleman  was  Caspar
         Goodwood; he was a straight young man from Boston, who
         had known Miss Archer for the last twelvemonth and who,
         thinking her the most beautiful young woman of her time,
         had pronounced the time, according to the rule I have hint-
         ed at, a foolish period of history. He sometimes wrote to her
         and had within a week or two written from New York. She
         had thought it very possible he would come in—had indeed
         all the rainy day been vaguely expecting him. Now that she
         learned he was there, nevertheless, she felt no eagerness to
         receive him. He was the finest young man she had ever seen,
         was  indeed  quite  a  splendid  young  man;  he  inspired  her
         with a sentiment of high, of rare respect. She had never felt

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