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P. 1172

Chapter 6



       The Prosecutor’s Speech.

       Sketches of Character






         PPOLIT  KIRILLOVITCH  began  his  speech,  trembling
       Iwith nervousness, with cold sweat on his forehead, feel-
       ing hot and cold all over by turns. He described this himself
       afterwards.  He  regarded  this  speech  as  his  chef-d’oeuvre,
       the chef-d’oeuvre of his whole life, as his swan-song. He
       died, it is true, nine months later of rapid consumption, so
       that he had the right, as it turned out, to compare himself
       to a swan singing his last song. He had put his whole heart
       and all the brain he had into that speech. And poor Ippolit
       Kirillovitch unexpectedly revealed that at least some feeling
       for  the  public  welfare  and  ‘the  eternal  question’  lay  con-
       cealed in him. Where his speech really excelled was in its
       sincerity. He genuinely believed in the prisoner’s guilt; he
       was accusing him not as an official duty only, and in calling
       for vengeance he quivered with a genuine passion ‘for the
       security of society.’ Even the ladies in thee audience, though
       they remained hostile to Ippolit Kirillovitch, admitted that
       he made an extraordinary impression on them. He began

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