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warm it.’
              ‘But why is it? Why?’ foolish Mitya still persisted.
              ‘Why, they’re poor people, burnt out. They’ve no bread.
           They’re begging because they’ve been burnt out.’
              ‘No, no,’ Mitya, as it were, still did not understand. ‘Tell
           me why it is those poor mothers stand there? Why are peo-
           ple poor? Why is the babe poor? Why is the steppe barren?
           Why don’t they hug each other and kiss? Why don’t they
            sing songs of joy? Why are they so dark from black misery?
           Why don’t they feed the babe?’
              And he felt that, though his questions were unreasonable
            and senseless, yet he wanted to ask just that, and he had to
            ask it just in that way. And he felt that a passion of pity, such
            as he had never known before, was rising in his heart, that
           he wanted to cry, that he wanted to do something for them
            all, so that the babe should weep no more, so that the dark-
           faced, dried-up mother should not weep, that no one should
            shed tears again from that moment, and he wanted to do it
            at once, at once, regardless of all obstacles, with all the reck-
            lessness of the Karamazovs.
              ‘And I’m coming with you. I won’t leave you now for the
           rest of my life, I’m coming with you’, he heard close beside
           him Grushenka’s tender voice, thrilling with emotion. And
           his heart glowed, and he struggled forward towards the light,
            and he longed to live, to live, to go on and on, towards the
           new, beckoning light, and to hasten, hasten, now, at once!
           ‘What! Where?’ he exclaimed opening his eyes, and sitting
           up on the chest, as though he had revived from a swoon,
            smiling brightly. Nikolay Parfenovitch was standing over

                                           The Brothers Karamazov
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