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a good but, as it is for many of us, a pretty mundane life. Whereas, the comfortably rocking
    saxophone and guitar led, ‘Nurse With A Purse’, points out, that some men are somewhat less
    than grateful and loving to women.

    Very enjoyable!

    Brian Harman

                                        Malaya Blue—Blue Credentials—Blue Heart Records BHR032


                                        This  is  the  third  album  release  from  Norwich,  England  based
                                        Malaya, It, contains twelve new numbers. Which were recorded
                                        live  at  The  Ashwood  Studios,  in  Norwich.  Joining  Malaya,  who
                                        provides lead vocals, in the studio are, Brett Lucas; Lead, acoustic
                                        and Dobro guitars, Richard Cousins; bass guitar, John McCullough;
                                        Hammond organ and keyboards, Sam Kelly; drums and percussion,
                                        with Chris Rand, providing tenor and baritone saxophones. The
                                        late great Dennis Walker, (who died, aged 79 in May 2022) was,
                                        right up to his passing, a great supporter of Malaya. He wrote one
                                        of the numbers here and co-wrote six others with Malaya and the
                                        band. One point of interest is the fact that Malaya is the only UK
    based artist that Dennis has ever worked with.

    ‘Your  Act  Has  Worn  Thin’,  is  the  swampy,  opener,  which  possesses  a  delightfully  enticing,
    prowling and throbbing bass, which is entwined with a low level scorching, seething guitar upon
    which Malaya’s sensuously aching vocal singes ones ears. A lively, funk-filled guitar introduces
    ‘Wrong  Kinda  Love’  that  rides  on  a  burning,  popping  organ.  The  smoky,  urging  vocals  are
    punctuated with very satisfying rock fills.

    A change of pace is delightfully delivered with the slow emotion filled, ballad ‘The Time We Had’.
    Here  a  piano,  gently  rolls  over  a  subtly  singing  organ  and  percussion  foundation;  Malaya’s
    confidently arresting vocal, is very reminiscent of ‘Soul Queen’, by Irma Thomas. A very, dark
    place is visited on ‘Howlin’ Mercy’; a lonely acoustic guitar, accompanies a softly, vulnerable and
    fragile vocal that recounts tales of child abuse in a world in which no one listens. As the fear
    hastens, an ominously increasing drum, rolls on in the background.

    More cheerful is ‘Bring Me Your Sin’. This is a guitar driven rocking/boogieing tale of sinful desire,
    want and need. The power of the vocal definitely convinces you of it. ‘Set Me Free’, is simply, a
    rock tinged, power tale of the desire to be free of a loveless situation. While ‘Messin’ Around’, is
    a gently swinging tune about the fun of being silly and foolish.


    Thoughtful and compelling!

    Brian Harman

                                        Philipp  Fankhauser—Heebie  Jeebies  (The  Early  Songs  of
                                        Johnnie  Copeland)—Funk  House  Blues  Productions
                                        FHB101518

                                        Swiss born bluesman, Philipp has been playing the blues for over
                                        thirty  five  years  now.  In  that  time  he  has  garnered  a  much
                                        deserved international reputation as a stalwart bluesman. He has
                                        now released this, his seventeenth album, which is dedicated to
                                        the memory of Texas guitarist Johnny Copeland, who was in fact,
                                        his  mentor  during  the  nineties.  The  thirteen  numbers  on  the
                                        album, have all been previously recorded by Johnny himself.
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