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wonderful albums on the same theme - ‘Migration Blues’ and ‘Dear America’ – there wasn’t the
     same power and freshness here but, as always, I’ll still look forward to his next album.

     Graham Harrison

                                         GA-20—Live  in  Loveland—Karma  Chief  Records—ASIN  :
                                         B0BSXQ366G

                                         Following on from their earlier live EP GA-20 now give us a full
                                         live  album  recorded  direct  to  tape  at  Plaid  Room  Records  in
                                         Loveland, Ohio, albeit at just 30 minutes long, with their vintage
                                         gear and vintage sounds and 11 songs of vintage lengths - one and
                                         a  half  to  three  and  a  half  minutes.    They  kick  off  with  Harold
                                         Burrage’s  ‘I  Cry  For  You’,  followed  by  a  bluesy  take  on  Little
                                         Walter’s ‘My Baby’s Sweeter’ and the brief ‘Lonely Soul’ is great
                                         while  it  lasts.    ‘Dry  Run’  and  ‘Just  Because’  both  have  a  slight
                                         country vibe with the former having lovely reverb-laden guitar
     and soulful vocals, while ‘Soul’ is a cover of a Clifton Chenier song – seemingly without any Cajun
     influence.  ‘Double Gettin’ has a Bo Diddley beat and ‘Crackin’ Up’ is a cover of the wonderful Bo
     Diddley song and they finish with ‘By My Lonesome’ a driving rocker.  The sound here is very
     good with just a few of the tracks having crowd response at the ends and the band - Pat Faherty
     (vocals, guitar), Matthew Stubbs (guitar) and Tim Carman (drums) - sounding very authentic
     but overall a bit dull!


     Graham Harrison

                                         The Cash Box Kings—Oscar’s Motel—Alligator Records ASIN
                                         : B0BT52SYQL

                                         This is the 11th album from The Cash Box Kings with all of them
                                         being authentic gut-bucket Chicago blues, this one was recorded
                                         at Reliable Recorders/Hi-Style Studio in Chicago with the band’s
                                         leader and harmonica player Joe Nosek in the producer’s chair.
                                         This line up of the band features Oscar Wilson (vocals), Billy Flynn
                                         (guitars), Lee Kanehira (keyboards), John W. Lauler (bass) and
                                         Kenny ‘Beedy Eyes’ Smith (drums).  We start off with the title track
                                         which features Wilson on vocals and Nosek’s excellent harp and
                                         which reminded me of a Howlin’ Wolf song, while ‘Down on the
     South Side’ is a homage to the area where blues started in Chicago but it actually sounds more
     like West Side Blues with its brass and lead guitar from Flynn.  Muddy Waters’ ‘Please Have
     Mercy’ is a delicious slow blues with great harp from Nosek and ‘I Can’t Stand You’ is a humorous
     song by Nosek that features Wilson duetting on vocals with Deitra Farr.

     ‘Nobody Called It the Blues’ tells the story of the origins of the music and the very brief ‘Pontiac
     Blues’ by Sonny Boy Williamson is a fast shuffle featuring Nosek on high register harp, while
     ‘Trying So Hard’ is a Muddy Waters-style blues by Billy Flynn which has him playing Muddy-style

     slide guitar.  ‘She Dropped the Axe on Me’ is another humorous song by Nosek and he also sings
     this one as well as playing harp.  ‘I Want What Chaz Has’ is a jump blues that features guest John
     Nemeth on vocals and we check out with a Chuck Berry-style ‘Ride Santa Ride’, a Christmas song
     (!?!) that perfectly reproduces the sounds of Chuck’s guitar and vocals and also has Lee Kanehira
     tinkling away in the background just like Johnnie Johnson.   This is a wonderful record that
     perfectly  captures  the  sound  of  classic  ensemble  Chicago  blues  but  also  manages  to  bring
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