Page 22 - GALIET THE HOLY WORD: Blake IV++

Philosopheress Queen, Poiesis, whose Wondrous Wisdom, made of pure Poiesis, all seedlings transform.
In her mirror of two faces, one shows you in the abyss, the other, in Poiesis. In the clarity of the other, Experience becomes Innocence and condemnation, salvation, resurrection. As Lethe forgets itself into nothingness in the Emerald night, Alethe, arising out of Lethe’s nothingness, begins to un-conceal itself in the Dewy Grass. Dew’s innocence’s glimmer, transparence, adorns the Grass. And what is the grass? The Lord’s Handkerchief (Whitman)16 and the writing of God. Writing illumines the water clear, just as Si Kongtu says, “only through writing the truth will be liquid, transparent.”17
In Innocence’s greening fields both phases of the same mirror, and the Mythos-Logos tension vanishes just as the Apollonian child vanishes before the birth of Mythos- Logos: The Song of the Lamb to reveal Poiesis. Just as out of Mythos-Logos the Fall, its sin and guilt, comes to be, out of Poiesis the Song of the innocent Lamb is born, the spirit of redemption. And Past Poiesis’ Gate, in the
16 Whitman, Walt. Leaves of Grass. “What is the Grass? In Song of Myself” New York: Random House, 1993. 39.
17 Si Kongtu. Las Veinticuatro Categorías de la Poesía. Ed. Pilar Gonzalez. Madrid: Gráfica España, S.A., 2012. V.59.
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