Page 24 - GALIET THE HOLY WORD: Blake IV++

sealed by God and Sophia in Blake, their embrace in the seen, Aletheia, Light Eternal. She 3⁄4 the memory of Beauty, Poiesis, Eden, everything that is non-contingent: Word-Light.
The Apollonian Oracle is thus fulfilled in Poiesis’ Wondrous Way: there, the Piper pipes, sings, sees, and writes what he recollects, a world of innocence, of light, Blake’s world, the song of the Lamb. Luminous and luminary, visionary and wise, as potent and magic as the oniric night or Minerva’s owl, Blake 3⁄4 dweller of crepuscules, of the liminality between Poesy and Philosophy, Poiesis, this water, this heaven 3⁄4 finds himself in God and God in Blake.
Thus, poetically, in-between worlds, Blake dwells. In between God and the Earth, innocence and experience, he sings and foretells under an absolute rosy spell, Poiesis’ Wondrous Way. It is as if Holderlin’s fabled verses showered him, “full of merits is man, yet poetically, man dwells on this earth.”18 Dwelling poetically, in-between worlds, Blake’s Prophecy and visions proclaim his exuberant synthesis: the Marriage of Heaven and Hell,
18 Heidegger, Martin. Poetry Language and Thought. Trans. A. Hofstader. New York: Harper & Row Publishers, 1971. 164-178. In Spanish: “lleno de méritos está el hombre, más no por ellos, por la poesía hace de esta tierra su morada.”
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