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innocence and experience, imagination and reason, as if every romantic divine spark and every inspired metaphysical spell were wedded to thought’s luminescence, the Rose of Chapels and Lapels, She 3⁄4 Sublime Eterna.
As Blake’s lyric synthesis forms, it eagerly bursts forth further antagonisms and further syntheses philosophically reminiscent of Hegel’s lovely blossoming Rose whose dynamic dialectics unfold Truth, a Truth ever progressing towards the Absolute Idea or Mind Divine, and in whose unfolding, Beauty too unfolds: Hegeliana of the Blooming Vales.
She, Sublime Eterna, the Absolute Synthesis, Poiesis (God, the Supreme Maker, is Poiesis, the Wondrous Way, the Poetic-Prophetic Way) and Poiesis is beyond Platonic Grecian Noesis for Poiesis not only sees with the eyes of clairvoyance, but it speaks prophetically, unfolding Truth progressively and dialectically in Hegel’s beloved philosophy. A Truth ever progressing towards the Absolute Idea or Mind Divine, and in whose unfolding, Beauty too unfolds: Hegeliana of the Blooming Vales. In Hegeliana’s unfolding vales, the bud-turned-blossom- turned-fruit seeks to overcome itself until the marvelous end of history. There, at the end of Mythos and Logos,
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