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GEMA INDONESIA  EDISI KE-2/2020



























        THE

        STORY
        BEHIND :

        “TENUN DANCE”                           h e

        The Tenun dance or Tari             Tenchantment             of
        Tenun symbolizes tenac-             Bali’s  Island  of the Gods         weav-

        ity in work and harmony             cannot       be      separated      ing then in-
                                            from  the  cultural  wealth  it
        in society. Indeed, the             possesses. From  the  festivity     spired  two  Balinese
                                                                                artists, namely I Nyoman
        Balinese  are  very  syn-           of  Balinese gamelan music          Ridet and I Nyoman Likes
        onymous with unity and              to the lively, stunning dances      to create a beautiful and
                                            that are filled with stories and
        strong mutual coopera-              meanings,  even  with  the          charming  dance  depicting
                                                                                village women weaving with
        tion in their daily lives.          beauty of Balinese weaving          simple looms in 1957.
                                            (Tenun) which is very elegant
        THIS IS                             and of high artistic value.         The Tenun  dance or Tari


                                                                                Tenun symbolizes tenacity in
                                            Tenun weaving is one of the
        SPACE FOR                           daily activities of the indige-     work  and  harmony  in  soci-
                                                                                ety. Indeed, the Balinese are
                                            nous Balinese people since
                                                                                very  synonymous  with  unity
                                            ancient times. Even the ac-
                                                                                and strong mutual coopera-
        ITALIAN                             tivities that are generally         tion in their daily lives.
                                            carried out by these women
                                            still take place nowadays  in
                                                                                The harmonization of this
                                            some  areas  such  as Karan-
        TRANS-                              gasem,  Klungkung  and Sid-         dance does not stand alone,
                                                                                it is accompanied by a se-
                                            amen. The movements they
                                                                                ries  of  graceful  movements
                                            make  when  weaving  are
                                                                                of  the  dancers  and  a  quite
        LATE                                very interesting; using simple      unique fashion harmony from
                                            equipment, they spin yarn,
                                                                                head to  toe. Not  only that,
                                            and  arrange  them  in  the
                                            loom to weave it into a very        the  Kong  Kebyar gamelan
                                                                                accompaniment  consisting
                                            beautiful piece of cloth.           of gender  (Balinese  metal-
                                                                                lophone) , cengs (cymbals),
                                            This uniqueness method of           kendang  (traditional  dou-




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