Page 12 - 노재순 작가 e-작품집

This is true of the material as well as the compositional characteristic of the
contrast between the lips and the background. The material of lips is a very
strong visual stimulus. Because the lips contain various invisible symbolism,
they cause psychological action beyond visible stimuli. In particular, it
stimulates the erotic and sexual imagination. It is natural to stop at an
impression so strong that psychological agitation cannot be avoided the
moment you encounter the image of provocative, provocative, and sensual
lips.
The lips seen in his work are unrealistically enlarged images, and from a certain
point of view it looks bizarre. The unreality felt when magnifying a specific
object seems surreal, raising the tension momentarily. This is a psychological
reaction that comes from a new visual experience. It is said that each person's
unique wrinkles are engraved on the lips like the fingerprints of the palms.
The various images created by those wrinkles have a meaning beyond what is seen with the naked eye. This is because,
like the expression on the face, the wrinkles on the lips also become a body language. Although the lips are the central
image, the background also has a visual effect corresponding to the lips. A complex image that is completely different
from the beautiful and provocative lips is effective in promoting the
visual impression of the lips. This is due to the synergy created by
the combination and contrast of different images. The background
of the complex structure corresponding to the image of the lips
brought the image of the wall of the building.
The situation unfolds as if it were relocated from a wall where marks,
signs, text, and photos are intertwined, graffiti and prints, traces of
various advertisements attached and then removed, and a mixture of
suggestive and symbolic images. Given the fact that this background
was taken from the image on the wall, his work is closer to realism.
The method of exaggerating and magnifying more than the reality
belongs to the category of modern aesthetics, but the descriptive